Masterpiece Selection that Capture the Essence of The Moon's Our Ho...

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Close to Nature perfectly mirrors the editorial trajectory of our deep dive.

Jack wants to spend their vacation in the mountains and Daisy wants to spend it at the beach in Santa Barbara.

Dir: William A. Seiter

A young couple quarrel and make-up and quarrel again and it is here where they determine to save the scandal of divorce by placing a white tape through the house to divide it into two parts, each section of which will be exclusively sacred to the other. In the meantime, an almost invisible Cupid hovers about trying to placate them and a little Mephisto with a pitchfork tries to prod the couple along to more troubles.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of Why Divorce? perfectly mirrors the editorial trajectory of our deep dive.

A young wife is too fond of the frivolities of life to care about raising babies. But one day she finds herself called upon to help a woman in the street who is taken suddenly ill and is obliged to hand over her baby to strangers. The young woman takes the baby home and cares for it. The old trick of the husband misunderstanding a telephone message, and rushing home with an armful of toys for an anticipated heir, is worked in. The arrival of a nurse on the scene to claim the child leaves a vacuum in the home of the young couple, and the wife's hysteria causes the husband to hunt another baby. He arrives at home with it at the same time that the other child, whose mother is unable to care for it, is returned, causing amusing complications.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.

Dir: William A. Seiter

A visual fragment from the archive: The thematic resonance of After the Bawl perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of In and Out perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: William A. Seiter

A fascinating piece of cinema that shares thematic elements.