The Definitive Guide Deeply Connected to The Pointing Finger: Cult ...

Dir: Edward A. Kull

A "square" gambler first breaks and then saves the lover of a girl whom he later loves himself. The girl gives up her lover in favor of the gambler after learning the former's weakness and the latter's strength.

Dir: Edward A. Kull

A visual fragment from the archive: The thematic resonance of The Yellow Handkerchief perfectly mirrors the editorial trajectory of our deep dive.

An exciting account of the capture of a band of Chinese fishermen who are disobeying the coast laws.

Dir: Edward A. Kull

Counterfeiters manage to throw suspicion temporarily on the hero, but he is cleared in the end.

Dir: Edward A. Kull

A visual fragment from the archive: The thematic resonance of The Counterfeit Trail perfectly mirrors the editorial trajectory of our deep dive.

The hero assumes the blame for a murder in order to shield a woman's name. The woman's son grows up and seeks revenge upon the hero, but the mother finally speaks.

Dir: Edward A. Kull

The Chinaman, Yellow Handkerchief, seeks to make peace with Big Aleck so they may take advantage of the run of salmon on Sunday, a day on which fish might not be legally netted. Le Grant of the Fish Patrol hears of the plot and manages to catch the poachers with their own nets.

Dir: Edward A. Kull

A visual fragment from the archive: The thematic resonance of Blind Chance perfectly mirrors the editorial trajectory of our deep dive.

Tarzan, who has returned to Africa after living in England, sets off to Guatemala in search of an old friend who may have survived a plane crash there. Ula Vale and Major Martling are out to find the riches of the Green Goddess.

Dir: Edward A. Kull

The mystery of finding thousands of dead fish washed up on the shore puzzles the coast patrol. Charley Le Grant is detailed to solve it. His experiences involve getting mixed up with a Chinese gang, an explosion at sea, entanglement in the fishing net and a final reunion with a sea-going girl.

Dir: Edward A. Kull

A visual fragment from the archive: The thematic resonance of The Law of the Sea perfectly mirrors the editorial trajectory of our deep dive.

A girl's father is a geologist, and soon after he strikes gold they are attacked by bandits. To complicate matters one of the bandits turns out to be the girl's brother

Dir: Edward A. Kull

John Grant, an American, is visiting in England with the family of Sir George Latimer, in a fine house near London. Prince Narr, of the royal house of Numidia, is also a guest with his retainers. Prince Narr is possessed of a strong hypnotic power, which he demonstrates in the course of a reception. After a few days Prince Narr falls in love with Sir George's daughter, Beth, and asks for her hand in marriage. Sir George does not believe in intermarriage between the white and dark races and refuses the prince's offer of his hand. This arouses the latter's displeasure and he also becomes intensely jealous of Grant, who has saved Beth from death during a ride behind the hounds. To avenge himself Prince Narr presents Sir George with a jeweled dagger, and through hypnotic suggestion commands Sir George to commit murder. The crime is really committed by a servant of the Prince, but Sir George is made to believe himself guilty. He is forced, while under the spell, to write a confession across Beth's forehead, which confession is in indelible ink. This at first fades out, but later reappears and can only be removed by a solution concealed in the dagger. The latter weapon is stolen by Claypool, a notorious criminal, and brought to America, where the chief characters follow in due time.

Dir: Edward A. Kull

Tarzan goes to Guatemala to find his lost friend, D'Arnot. On the way he helps Major Matling search Mayan ruins for hidden jewels and an idol containing the formula for a powerful explosive.