Recommendations
Senior Film Conservator

For cinephiles who admire the cult status within The Redhead, its lasting impact ensures that its spirit lives on in modern recommendations. Each of these movies shares a piece of the cult status that made The Redhead so special.
At its core, The Redhead is a study in to provoke thought and inspire awe in equal measure.
Rich Matthew Thurlow, spends nearly every night at cabarets, admires Dazie, a leading dancer whom he calls "Redhead." Dazie loves Matthew, but she is dismayed that he wastes his life in clubs. After Matthew, while intoxicated, marries Dazie to win a bet, Dazie insists that they remain married. When Matthew's uncle cuts off his allowance and ends his "soft" bank job, Dazie decides to make a man out of Matthew, but he scorns her. She rents a small apartment, while he gets work in an auto factory. Although Matthew is genial when Dazie's parents visit, he remains cold to her. When Matthew's uncle offers Dazie money for a divorce, she refuses, but says that she will agree to a divorce if Matthew really wants one. Matthew develops a new interest in life and realizes he loves Dazie when he becomes jealous through a misunderstanding. After his uncle, seeing Dazie's effect on Matthew, threatens to disinherit him for good if he does divorce her, Matthew confesses his love.
The Redhead was a significant production in United States, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique cult status of The Redhead, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Charles Maigne
East Side gangster Buck Leslie attempts to stop a fight between chemist Gregory and a tough and is pursued by detective Phil Hoyt to a tenement roof where he takes refuge. On the roof he meets crippled Hilda Shea, who shelters him, and they eventually fall in love, the appeal of her innocence causing him to reform. Buck antagonizes the gang, however, and they try to frame him. Hoyt finds Buck on the roof, and during the ensuing fight the tenement catches on fire. Buck rescues Hilda, and she miraculously regains use of her limbs. The detective abandons his pursuit, leaving the lovers happy.
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Dir: Charles Maigne
The only daughter of wealthy Wall Street banker, Evelyn Murray, while with her aristocratic fiancé, Bert Van Vliet, runs down and injures newsboy Terry McGuire. To avoid an embarrassing outcome, Bert persuades her to flee the scene of the accident. Evelyn is conscience-stricken and informs her father; he is then forced to pay "hush money" to a garage attendant who has witnessed the accident. That evening Murray gives a dinner to honor John Deems, Bishop of New York, to whom he plans to contribute money for a youth foundation. Influenced by the bishop, Evelyn goes to the hospital, becomes acquainted with the injured boy, and arranges for his care. Opposed by her father and fiancé, Evelyn disappears and is reconciled to them only when they agree to adopt a less arrogant attitude toward their money and power.
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Dir: Charles Maigne
Jimmy Ordway is amazed by his wife Charlotte's unending energy, he is an exhausted wreck after a honeymoon filled with golfing, riding, boating, swimming, polo, mountain climbing, and dancing in the evenings. At the house party Charlotte throws the evening they return, Jimmy plots with his male friends to have them entertain Charlotte non-stop in shifts until she drops. After he convinces his old friend Brandy, a professional athlete, to participate, Brandy, on finding the only woman he has met who could keep up with him, tries to steal Charlotte away. When Brandy tells her of Jimmy's infatuation with Julia Cleves, whose consolatory attentions have taken his mind off his troubles, Charlotte sees them blowing smoke kisses and upbraids Jimmy. To win her back, Jimmy, taking the cue from Petruchio, a character in The Taming of the Shrew by Shakespeare, sets out to tame Charlotte by abducting her and binding her in a boathouse. Charlotte secretly enjoys it, and when Brandy arrives to rescue her and attempts an undesired intimacy, she throws him into the water. Jimmy happily embraces Charlotte, who then prepares dinner for their thirty friends.
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Dir: Charles Maigne
Believing her husband, Laurence Teck, (Maurice B. Flynn) to be dead in the African jungle, Carol (Mary Miles Minter) marries musician David Verne (Casson Ferguson). Laurence does come home, but, thinking it best for Carol, he returns to the jungle. The shock kills David, and Carol sets out in search of Laurence, has many adventures, and finally finds him with the friendly native king who saved him.
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Dir: Charles Maigne
Seductress Leila Templeton flirts with Harleth Crossey at his wife Marcia's dinner party. After the intoxicated Harleth takes a midnight drive with Leila, his next-day apologies fail to assuage Marcia's humiliation. Later, Harleth's secretary calls Marcia to say that he will not be home for dinner. When the maid warns Marcia that the chauffeur is crazily threatening to shoot her unless she marries him, Marcia tries to contact Harleth, but is told by a lying switchboard operator that he is with Leila. Harleth's subsequent tirade expressing a need for "personal liberty" drives Marcia to seek a divorce. Two years later, Harleth marries Leila. After she responds to his complaints about her flirting by asserting her "personal liberty," Otis Vale, whom Leila has driven nearly insane with her teasing, abducts her. His frenzied condition causes their automobile to tumble over a cliff, killing them both. When Harleth learns that "Mrs. Crossey" has died, he imagines it to be Marcia, and rushes to her. The relief he shows convinces her that their "invisible bond" is intact, and they reconcile.
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Dir: Charles Maigne
When Easter Hicks, a Kentucky mountain girl, becomes infatuated with Clayton, a civil engineer from the city, her father Pap Hicks vows to kill Clayton. Sherd Raines, a young mountaineer who loves Easter, prevails upon Pap to reconsider, but Sherd is finally overcome by jealousy and begins to mold a bullet to kill his rival. As he prepares the mold, Sherd hears a preacher's voice denounce him for his evil intentions and he spills the hot metal.
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Dir: Charles Maigne
Jessica (Mary Miles Minter) becomes fed up with her husband Weston's (Robert Schable) womanizing and leaves him for a Wyoming ranch. Weston follows her, and violence and jealousy ensue.
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Dir: Charles Maigne
June Tolliver, whose family has long feuded with the Falins, falls in love with engineer John Hale when he comes to their mountain town. John sends her to the city to be educated with the promise of marriage when she returns. Because John is appointed deputy he tries to remain neutral, but he finds the Falins supporting him when June's Uncle Rufe is accused of murder. June is called to testify during his trial but does not perjure herself for Rufe's sake. To prevent a Tolliver from being hanged, Jud Tolliver has Rufe shot. John is also injured, but June's pleading finally brings an end to the feud.
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Dir: Charles Maigne
Sylvia Landis promises to marry the wealthy but unprincipled Quarrier because of his social standing. Avarice is the only emotion that Sylvia feels towards her fiance, and when she meets Stephen Siward, a young man afflicted with alcoholism, she falls in love. With the aid of his friend Plank, Stephen fights bravely to cure himself. Plank is enamored of Leila Mortimer, whose husband is trying to blackmail Stephen and extort money from Quarrier. While the two star-crossed couples are dining at a hotel, Quarrier informs Mortimer that Plank is attempting to steal his wife. The two men rush to the hotel where they quarrel, and the drunken Mortimer shoots Quarrier. The dying Quarrier then picks up the revolver and shoots his assailant, thus clearing the path for the marriage of the two sets of lovers.
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Dir: Charles Maigne
Sheila Cardross Malcourt shares only a loveless marriage with Louis Malcourt, but is unwilling to divorce him even to marry the man she really loves, for fear of hurting her foster parents. Instead, she stifles her feelings for Garry Hamil and strives to maintain her marriage. But when tragedy ensues, she finds herself faced with a new dilemma.
View DetailsAnalysis relative to The Redhead
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Frontier of the Stars | Tense | Dense | 85% Match |
| Hush Money | Ethereal | Abstract | 87% Match |
| The Indestructible Wife | Surreal | Linear | 87% Match |
| Drums of Fate | Tense | Abstract | 88% Match |
| The Invisible Bond | Surreal | High | 97% Match |
This guide was algorithmically generated using the cinematic metadata of Charles Maigne's archive. Last updated: 5/19/2026.
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