Sylvia Landis promises to marry the wealthy but unprincipled Quarrier because of his social standing. Avarice is the only emotion that Sylvia feels towards her fiance, and when she meets Stephen Siward, a young man afflicted with alcoholism, she falls in love.

The celluloid gods were feeling particularly sardonic the year Robert W. Chambers and Will M. Ritchey stitched The Fighting Chance together. What emerges is less a love triangle than a love pentagram—each point drawing blood. Sylvia Landis, incarnated by Maude Wayne with the porcelain poise of a mannequin who has rea...

still_frame

production_art


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles Maigne

Charles Maigne
Community
Log in to comment.
" The celluloid gods were feeling particularly sardonic the year Robert W. Chambers and Will M. Ritchey stitched The Fighting Chance together. What emerges is less a love triangle than a love pentagram—each point drawing blood. Sylvia Landis, incarnated by Maude Wayne with the porcelain poise of a mannequin who has read Balzac in secret, enters the frame already commodified: her engagement ring a handcuff forged from Quarrier’s gold mine dividends. Every close-up tilts ever so slightly upward, a..."
Robert W. Chambers, Will M. Ritchey
United States


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Charles Maigne