Hidden Genre Gems In Alignment with the style of The Social Pirates...

Dir: James W. Horne

A fascinating piece of cinema that shares thematic elements.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of Blow Your Own Horn perfectly mirrors the editorial trajectory of our deep dive.

Jack Dunbar, needing a job, meets millionaire Nicholas Small, who gives him advice and presents him as a colleague. Small would like his daughter, Anne, to marry inventor Gillen Jolyon. Dunbar perfects and successfully demonstrates Jolyon's wireless power transmitting device in spite of Small's attempts to sabotage it, and he rescues Anne when she is caught in an electric power fracas caused by her father's villainy. Anne breaks her engagement with Jolyon and marries Dunbar.

Dir: James W. Horne

In the 1850s, a young prince in India promises his dying father he will lead a revolt against the English colonial masters of India. However, since he is half-European himself, he can't bring himself to do it and flees to America, to live in obscurity. He finds, however, that he can't outrun his obligations, and he soon meets a messenger sent from India to remind him of the promise he made to his father. Complications ensue.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Bronze Bell perfectly mirrors the editorial trajectory of our deep dive.

Adam, the proprietor of a country hotel, loses his heart to Nell, a soubrette. Unknown to the old man, the girl and his son Jack were formerly sweethearts, but had quarreled because of her refusal to leave the stage. Knowing of Adam's love for Nell, Mason, the leading man, and Eppstein, the manager, induce him to finance the show. This is on its last legs. The members of the company stop at Adam's hotel while in Preston and thus Nell meets Jack again. Upon her refusal to give up the stage, Jack angrily leaves her. When the show departs early next morning, Adam goes with it. Nell is fascinated by Mason and the latter plays her against Clara, who also fancies she loves him. Nell does not know that it is Adam's money which is backing the show. When she does discover the manner in which the old man is being fleeced, she promptly declares her intention of quitting the company. The conspirators vainly plead with the girl. Desperate, Mason and Eppstein kidnap Adam and wire Jack in the old man's name asking him to telegraph $600. His suspicions aroused, Jack determines to investigate. In the meantime, Nell has discovered Adam's predicament. Securing assistance, she rescues him just as Jack arrives. In gratitude, Adam advances enough money to send all the members, with the exception of the plotters, home. Nell, sick of the stage, returns to Preston with Jack and his father. The latter learns of their love affair, and concealing his own love, gives them his blessing.

Dir: James W. Horne

When he is jilted, Alan Remington, the son of a wealthy Washington politician, falls into a state of deep depression. On the advice of Professor Hollister, from whom he is purchasing a death ray, the elder Remington attempts to divert Alan by providing him with excitement. At this time, a gang of foreign agents, led by Darwin Kershaw, Remington's secretary, kidnap both the inventor and his daughter, Carolyn, and steal the death ray, but not before the resourceful girl has thrown the control key to the ray out of the window, where it lands in Alan's car. The conspirators attempt to regain the key, but they are mockingly foiled on several occasions by Alan, who thinks they are men hired by his father to jolt him out of his depression. Alan eventually realizes that the men are seriously trying to kill him, and he sets out to bring them to justice. Alan prevents the agents from destroying several naval gunboats, rescues the Hollisters, and rounds up the aliens, handing them over to the F. B. I.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Barnstormers perfectly mirrors the editorial trajectory of our deep dive.

Wealthy Bruce MacAllister is goaded by his fiancée, Helen Sumner, into proving that he is a man of action rather than a pampered youth. After telling his estate administrator, Eugene Preston, that he is going east for a meeting, Bruce dons a disguise and infiltrates the San Francisco, CA, underworld. Bruce is mistaken for master criminal "The Chicago Kid" and finds himself leading the gang in a robbery of his own fortune in diamonds. When he discovers Eugene's intention to steal the jewels for himself, the loot changes hands many times. Helen summons the police, the criminals are arrested, and Bruce wins her respect.

Dir: James W. Horne

The search is on for a bank robber's hidden stash in a house they all say is haunted.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of Laughing at Danger perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: James W. Horne

Mary Grant, whose husband was killed in the war, has to support herself and her young son Tom by working in a cabaret because her husband's parents disapprove of and won't help her--but they want to adopt Tom. Complications ensue.

Dir: James W. Horne

War veteran James Henry "Jimmy" MacTavish returns to his hometown in the West to see his childhood sweetheart, June Carpenter. Despite his penchant for doing good deeds, Jimmy soon finds himself robbed of his clothes and money, and accused of kidnapping a child. Because the townspeople believe he was killed in the war, Jimmy is then jailed as an impostor, while others attempt to claim his inheritance. Jimmy's identity is ultimately verified, the townspeople give him a hero's welcome, and he is reunited with June.