The Cult Collection Comparable to the Style of The Splendid Sin: Cult Guide

Dir: Howard M. Mitchell

In France, artist Arthur de Sivry, also known as the Marquis of Savoy, falls in love with Marie Gautier, a peasant girl from the country. His depraved uncle, Count de Baudine, who leases his farm to the Gautiers, makes unwelcome advances on Marie until she joins a troop of entertainers in Paris. Arthur follows her to the city and offers the use of his vacant apartment. Upon learning of their arrangement, the count spreads rumors to ruin Marie's reputation and claims that Arthur is engaged to another woman. Marie's father returns from a visit to Paris and, believing the rumors to be true, tells his wife of their daughter's downfall. However, Arthur finally proposes to Marie and all ends happily.

Dir: Howard M. Mitchell

A visual fragment from the archive: The thematic resonance of Faith perfectly mirrors the editorial trajectory of our deep dive.

In an old Scottish village near Edinburgh, the schoolteacher, Adam Harden, is a lovable character, a faith healer who keeps people happy and well. His shepherd son David is in love with Peggy Laughlin, the niece of the town's man of wealth, Sir Kent MacGregor, who wishes her to marry a member of the nobility. Schemers George Kyle, an unsuccessful doctor, and his housekeeper, Meg Harper, try to bring about this marriage to benefit themselves by pretending that Kyle is the missing nephew of the deceased Lady Murrell. Peggy is in love with David, however, and falls ill as she is about to marry Kyle. Doctors cannot seem to restore her to health. Relenting, MacGregor has the faith healer Adam and his son David released from jail where he had them placed, and Adam cures Peggy. The schemers, Kyle and Meg, are found out and arrested, and MacGregor is now only too glad to give Peggy in marriage to David.

Dir: Howard M. Mitchell

Larry Gilmore must marry by a certain date to inherit a fortune. He is besieged by women anxious to assist in getting the money. To escape them, he gets a job as a police officer and dons a uniform. He falls in love with Mollie Martin, a waitress who does not know his identity but agrees to marry him. Before the ceremony several complications occur, and Larry rounds up a band of jewel thieves. A few seconds before the expiration date he marries and gets the fortune.

Dir: Howard M. Mitchell

A visual fragment from the archive: The thematic resonance of The Great Night perfectly mirrors the editorial trajectory of our deep dive.

One night at a party, when her drunken husband Tom makes a fool of himself, Bess Rutherford becomes so humiliated that she accepts long-time admirer Jim Carpenter's offer to leave Tom for him. Bess goes to New York with Jim, who persists in postponing their wedding date, forcing her to live as an illicit woman. Bess's son Jack suspects nothing of his mother's circumstances until his fiancée's mother, Mrs. Dexter, asks him to stop seeing her daughter Gladys. Finally learning of Bess's scandalous living conditions, Jack confronts Carpenter, who is secretly hoping to win Gladys, and in their confrontation, Carpenter is shot and killed. Bess, hysterical, drinks poison, but then realizes that the whole scene was a nightmare which ends happily when Tom promises to never drink again.

Dir: Howard M. Mitchell

Prominent French diplomat Emile Coullard is preparing an important international trade agreement. When Belloc appears at Coullard's country home to help prepare the document, it becomes evident that Belloc had met Marguerite, Coullard's charming wife, before. It later develops that Belloc had deceived and taken advantage of Marguerite when she was an innocent girl just out of a convent. Fernand, the illegitimate product of the union, had been raised by her friend, attorney De Brionne who, on his deathbed, declares that henceforth Marguerite should care for her grown child, now a notorious drinker. Marguerite arranges for Coullard to take Fernand as his secretary. Meanwhile, Belloc attempts to obtain the secret agreement in order to sell the information to a stock brokerage that could then make a killing on the market. Belloc forces Marguerite to open the safe by threatening to expose her past. A fight ensues with Fernand, and in attempting to escape, Belloc falls from a window to his death. Coullard eventually discovers everything, but forgives Marguerite of her past mistakes.

Dir: Howard M. Mitchell

A visual fragment from the archive: The thematic resonance of The Tattlers perfectly mirrors the editorial trajectory of our deep dive.

Larry Hart criticizes his father, a newspaper publisher, for exploiting the plight of the poor to sensationalize the news, and to prove his point, Larry decides to reform an unfortunate slum dweller. While in the slums, Larry meets Jenny Carson, a waif dressed in boys' clothing, and finds her a job as a waitress. Larry falls in love with Jenny, but when his father meets her, he recognizes the waif as the daughter of his crooked ex-partner, Joe Farley, and forbids their marriage. Joe then appears and confronts his former partner with the proof that Hart and not Joe was the real swindler. After a series of misadventures, Hart admits his guilt, Larry and Jenny are married and Larry is able to implement his ideals when he takes control of his father's paper.

Dir: Howard M. Mitchell

In Red Dog, Nevada, a lawless mining town, Ann Murdock attempts to oust the reigning politicians, all of them corrupt, by persuading women to run for office. Because the women cannot vote, they convince their husbands to vote for them, and as a result all of the elective offices in Red Dog come to be held by women. The men, meanwhile, remain at home to care for the houses and babies. Disgruntled by his loss of power, the former town boss has the new town officials locked in jail. Tenderfoot Leonard Blair tries to assist them but is arrested on a trumped-up robbery charge. Ann finally rescues Leonard, with whom she has fallen in love, and the women are released from jail to continue their petticoat politics.

Dir: Howard M. Mitchell

A visual fragment from the archive: The thematic resonance of Snares of Paris perfectly mirrors the editorial trajectory of our deep dive.

Heart-of-Oak, an Indian, shakes the dust of a Western reservation for a college career in the east. Heart-of-Oak is the son of a noted chief, and has taken the preservation of his race deeply at heart. His younger sister, Little Fawn, worships him. At college the Indian quickly becomes a favorite. He wins a place on the varsity crew, and finds a friend in a fellow oarsman Granville Wingham, a young American of wealthy parents. Granville's sister Carolyn also has a high regard for Heart-of-Oak, though the attachment never becomes romantic, Carolyn being betrothed to a young man whom she has known since childhood. Little Fawn wins a scholarship in the Indian school in the West, and surprises her brother by announcing that she is ready to return east with him the second year to share his studies. Carolyn befriends Little Fawn in her strange surroundings. At the sophomore ball, dressed in an Indian costume, she innocently captures Granville's admiration. On their return West for the summer Little Fawn secretly cherishes memories of the handsome white student who has covertly made love to her. Wingham, the elder, owns a ranch near the reservation. His son and daughter visit the property. They see a great deal of Heart-of-Oak and his sister. With deep foreboding the Indian watches Little Fawn and his friend. He talks gravely with the girl, telling her that for the sake of her own people she should not think of marriage outside her ancestral race. The Indian puts his trust in his college friend, whom he believes to be the soul of honor. When the disillusionment comes Heart-of-Oak tracks the runaways into the wilderness. The deep-rooted passion of the redskin for revenge takes possession of this educated Winnebago, who reverts to the type of his savage forebears. Ordering his sister into the hills, he closes in ferocious man-to-man battle with her lover, until the white man, bound and helpless, lies at the mercy of his erstwhile friend. Meanwhile, Carolyn has been summoned by the ruthless Indian. His vengeance is to be complete. But Little Fawn, driven back to the place by anxiety for the man she loves, is in time to sacrifice her own life for the safety of the white woman, his fury quenched by the sight of his sister, dead at his feet, Heart-of-Oak commands his victims to return to their own people, that he may be alone with his next of kin.

Dir: Howard M. Mitchell

Upon her stepfather's death, the custody of Jane Day is willed to his wealthy young nephew, Jim Atherton. When Jim, accompanied by his fiancée, visits his ward, Jane becomes so upset at their intrusion that she runs away to the city with her dog, Buddie. There she is befriended by theatrical producer Allen Hamilton who, upon discovering Jane's natural musical ability, offers to send her to Paris to study. In Paris, Jane again meets Jim and the two fall in love. Meanwhile, Hamilton discovers his love for the waif, and Jane, feeling gratitude towards her mentor, is torn between the two men until Hamilton, realizing that Jane's heart belongs to Jim, withdraws his suit.

Dir: Howard M. Mitchell

In the absence of wealthy Malcolm Graham, his daughter secretly marries Philip Amory. Her eyesight is destroyed inadvertently by her husband; and when a baby is born, her father, not convinced that she is married, gives the child to a sailor to deliver out of the country. The sailor, however, keeps the child in his family. Cruelly mistreated, the child runs away and is taken in by an old lamplighter. Fortune brings Gertie into her grandfather's house, where she becomes companion to her blind mother. Willie Sullivan, the lamplighter's assistant, finds her father, who has been in India, and they return to America. When mother and daughter arrive to meet their ship, Gertie is rescued from a fire by the sailor who had kept her, and following Amory's reunion with his wife she becomes engaged to Willie.