Masterpiece Selection Resonating with the Themes of The Trouble Buster: Cult Guide

Dir: Frank Reicher

A slave switches her light-skinned baby with her master's baby. The child grows up raised by whites.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of The Dupe perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Frank Reicher

Henry Sherwin has every cent invested in a mine which is apparently valueless. James Fleming, a mine expert, discovers a rich vein of gold in the mine but keeps it secret. Mr. Sherwin dies and leaves Betty, his daughter, in the care of John Kenwood and his sister, Constance who, finding the estate worthless, allows Betty to believe she has an income. She goes to boarding school, lives luxuriously, and when she returns home is shocked to find John and Constance working, so she hires two servants. A frost wipes out the orange crop, their last hope. Fleming proposes to Betty and is refused. Betty tells John he may have all her money, and although heartbroken and discouraged, he is greatly amused. Fleming finally tells Betty her mine is worthless, again asks her to marry him and is again refused. Betty dreams she sees gold pouring from her mine and runs away. Going to the mine she finds Big Jim, and together they search for gold. The boys "salt" the mine and Betty is delighted at her supposed find of gold. She learns of the joke and decides to try her luck at gambling. She stakes her nuggets in a roulette game and loses. Fleming finds her here and takes her in his arms, announcing, just as Kenwood enters, she is to become his wife. As Jim and the proprietor of the gambling house are looking over the nuggets Jim notices a strange one and asks Betty where she found it. She leads him to the mine and he discovers a rich vein, worth a million. Fleming's conspiracy is discovered. John takes Betty in his arms and tells her he has always loved her, and is informed of the discovery of the gold. Her sudden wealth seems in his mind to create a great gulf between them, but she wriggles back into his embrace. She tells him she loves him and asks him to be her husband. He takes her closer in his arms and their happiness is complete.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of Betty to the Rescue perfectly mirrors the editorial trajectory of our deep dive.

The family of an Irish landlord want him to wed who they think is a visiting heiress from the US but the real heiress pretends she is just a servant and hides her identity.

Dir: Frank Reicher

Maris, having married Lynch, a worthless man who deserts her, taking their daughter Felice with him, marries mill owner Dwight Alden after receiving notification that her husband and child are dead. Discovering that Alden employs child labor, Maris, assisted by the village minister, tries to persuade him that this is wrong, but he will tolerate no interference in his business. After violently denouncing Alden from the pulpit, the minister dies and Maris becomes interested in a child who has been injured while working overtime at the mill, only to discover that the child is her daughter and her first husband is still alive. She leaves, taking Felice, and Alden, after having a fight with the first husband, discovers that Lynch had secured a divorce. Alden seeks out Maris, tells her that he has abolished child labor and made other improvements affecting the welfare of his workers, and a reconciliation occurs.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of Castles for Two perfectly mirrors the editorial trajectory of our deep dive.

Two playboys stumble drunkenly home, where the owner falls asleep and the other attacks the maid. The butler intervenes and a fight results in the death of the assailant. A French girl, escaping from a pimp who kidnapped her, witnesses the crime. The butler convinces his master he is the killer, and must flee. He joins the girl but is caught. She helps police expose the real killer by going undercover as another maid.

Dir: Frank Reicher

Stephen Stephani leaves Nordhoff with his daughter Mary to visit Zandria, an enemy country, where he tries to steal the war plans of the hostile nation. There, Mary meets Paul Ekald, a Zandrian captain, falling in love with him at first sight. While Mary remains in Zandria for the moment, Stephani returns to Nordhoff. Meanwhile, Vesta, Mary's illegitimate half-sister, has managed to get hold of important war plans stolen from Count Wenzel. But, to get them, she had to kill the count. While trying to reach Nordhoff, she is stopped at the border. There, she also finds Mary waiting to cross the border. Vesta convinces Mary to exchange her passport with her, in order to allow her to leave the country. She thus brings to Nordhoff the plans drawn with invisible ink on her petticoat. Meanwhile, Mary is arrested and, accused in place of Vesta, sentenced to be shot. Vesta, after having fulfilled her mission and learning of her sister's fate, goes back and redoes the exchange with her, allowing her to save herself. After some time, peace is declared and Mary can reunite with the man she loves.

Dir: Frank Reicher

A visual fragment from the archive: The thematic resonance of The Eternal Mother perfectly mirrors the editorial trajectory of our deep dive.

Bad woman turns good, but as a recent widow finds her past a roadblock in terms of accepting remarriage.

Dir: Frank Reicher

The sound of merry voices and the clinking of wine glasses came through the closed door of a child's room in an apartment situated in a quarter of Paris where night life predominates and where revelers know they may come and go as they please. It was late at night. The child had been asleep, but awakening, frightened, she stepped to the door a moment to listen and then fearlessly, having heard the musical laugh of her mother, she opened the door and entered a large room. It was filled with men and women, whose gaiety may have had some inspiration from the bottles which poked their heads above the rim of ice buckets, which formed an outer fortification around the banquet table. At the sight of the child the conversation ceased for a moment, then burst forth at some indiscreet remark. A woman arising from the head of the table hurried across the room, caught the child in her arms and carried her back into her room. The woman was Cora May, the child her daughter Diane, age four. Cora May was one of the stirs of the Parisian demimonde. The next morning Cora took the child to a convent, bade her a tearful farewell, and returned, sorrowful, to Paris. In her ears there still rang relentlessly the words spoken by a friend the previous evening when he saw the child, "She has the devil in her eyes, Cora, just like you." The little girl, Diane, grew up in the convent, learned to love the sisters and their sweet ways, blossomed into lovely girlhood and at 19 she left the convent to pass a vacation at a friend's home by the seashore at Narbonne. "Monsieur le Chevalier" saw her one day. Her beauty attracted him, her innocence kept him at a distance, but her eyes, those eyes wherein the "devil" was lurking, baffled and confused him. There followed a flirtation, innocent enough, a few words between them, a declaration of love and Diane had fallen a victim to the worldly wiles of "Monsieur le Chevalier," who was, in fact none other than the Duke of Cluny. Meanwhile Cora May, Diane's mother, had died, never having seen her child from the day she had taken her to the convent. Deserted by her care-free friends she found sympathy in a woman of rank, Duchess of Cluny, who sat at her bedside and watched an unhappy life ebb swiftly away. The Duchess made one promise: she would seek out the child, Diane, and take her into her home and guard her from temptation. Diane, still stunned by the experience of her betrayal, dedicates her life to the friendship for the kind Duchess, never associating her with "Monsieur le Chevalier." Subsequently Diane and the Duke, filled with remorse because of his indiscretion, recognize each other yet spare the Duchess, whom each loves from their secret. The past would have remained untold had Diane and not Lieutenant Dodd, U.S.N. fallen in love. The young woman refuses marriage but withholds her reasons, but the young American is obdurate and in time the truth dawns upon him. In a duel he kills the Duke of Cluny who by death atones for his sin, and we are left with the reasonable conclusion that in time Diane and Lieutenant Dodd find happiness together.

Dir: Frank Reicher

Cinders, a news girl, with a love for books, idealizes as her hero a "Daddy Long-legs," who will someday make her a great lady. Bill Holt, a reporter, is one of her best friends. Walter Crane and Kirkland Gaige observe Cinder's independence as she turns over to a policeman a man who has been annoying her. Later Crane wagers $50,000 that within a year he can transform and improve the girl that one of the men will want to marry her. Crane places her in the care of his aunt, who sends her to a boarding school. At the end of a year she returns home and at once becomes a favorite. Cleo Duvene, an adventuress, demands of Gaige a necklace which he is unable to purchase. Crane meets with reverses and Gaige, anxious to win Cinders, reveals the bet, suggesting she marry him in order that Crane may realize the $100,000 stake. She refuses and goes to her friend. Holt, securing a position as reporter on the paper. Crane accepts the position of assistant cashier in the bank of which Gaige is vice president. In order to buy the necklace for Cleo Gaige takes a bag of currency and Crane, accused of the theft, is placed in jail. Cinders goes to Gaige and by placing chewing gum on the end of her umbrella, picks up the pieces of a receipted bill for the necklace. She gets into the apartment of Miss Duvene, and is demanding that she tell all she knows of Gaige just as he comes in. They bind Cinders but she manages to get the telephone receiver down, calls Holt, who hears the conversation of the three, and with Crane and a policeman apprehend the guilty man just as he is about to escape. Crane frees the brave little girl and takes her to his arms with the statement that it pays to lose some bets.