Must-Watch List Comparable to the Style of The Truant Soul: Cult Guide

Dir: Harry Beaumont

Engaged to the wealthy Freddy Ruyter, Barbara Wright favors her father's handsome Irish chauffeur, Dan Murray, and marries him. The newlyweds struggle to survive on Dan's meager income, but Barbara's father, furious with them both, nearly destroys their happiness by securing Dan's dismissal from several jobs. Dan wins $300 in an auto race but immediately gives it to Minnie Molloy, whose ailing husband has been ordered West for his health. Unaware of the reason for Dan's actions, Barbara sadly returns to her triumphant father. Mr. Wright's lawyer offers Dan a large sum of money to have the marriage annulled, and when Dan refuses, the lawyer discovers the truth about his "other woman." Touched by Dan's generosity, Mr. Wright accepts him into the family, and Barbara happily returns to her husband.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of A Man and His Money perfectly mirrors the editorial trajectory of our deep dive.

Inheriting a fortune allows Harry Lathrop to indulge in extravagant spending and wild wine parties with chorus girls, decides to change his ways after his childhood sweetheart, Betty Dalrymple, gives back her engagement ring because he arrives drunk for dinner. Disgusted with himself on a "morning after," Harry persuades his attorney to give him no money for the next year. In another city, Harry answers an ad for a handy man and becomes the manager of a kennel on the estate of Mrs. Johnston DeLong, Betty's aunt. Betty, visiting her aunt, scorns Harry, but he remains when he sees Walter Randall, whose chauffeur brags that "every dame falls for him," show an interest in Betty. When Betty does not succumb to Randall's advances, he takes her to a deserted cabin. Harry follows, fights Randall and the chauffeur, and rescues Betty, who embraces him in a downpour.

Dir: Harry Beaumont

Winthrop Chase is running for mayor on the prohibition ticket in a town where his irresponsible son Wint is infamous for his drunken sprees. Wint is in love with Joan Caretall, whose father Amos is a big political boss. Amos fears Winthrop's power and decides to stalemate him by substituting Wint's name on the ballot for that of his father. The morning after the election, Wint awakens from a drunken stupor and finds himself the mayor. With Joan's support, Wint reforms and begins to clean up the town. Wint's actions earn the enmity of the town saloon owners who induce Hetty Morfee, an old schoolmate, to frame him with a fake paternity suit. At the crucial moment, however, Hetty admits the truth, thus clearing Wint, who is reconciled with his father and wins Joan's love.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of The Great Accident perfectly mirrors the editorial trajectory of our deep dive.

Destitute, Hazel Farron is offered employment and comfort from bakery owner David Rogers. When Rogers' bakery slips into debt, he collapses from exhaustion and anxiety, forcing Hazel to turn to former admirer Geoffrey Stanhope for financial aid. Stanhope consents in return for a night alone with Hazel, but when she arrives at his hotel room for the appointed tryst, she discovers Stanhope waiting with Rogers and a minister so that Hazel can marry her employer.

Dir: Harry Beaumont

Upon observing the adoration that track star Culver Covington receives, his friend, J. Wallingford Speed, decides to impress Helen Blake by also posing as a sprinter. Meanwhile, when Roberta Keap decides to retire to her Western ranch while awaiting her divorce, Speed, Helen and various friends accompany her while her husband Donald takes up residence at the neighboring Gallagher ranch. A rivalry springs up between the two ranches, and Helen persuades Speed to challenge the Keap homestead in a footrace. Matters become serious when Roberta and Mrs. Gallagher bet their entire holdings on the race. It begins to look ominous for the Keaps when their star sprinter develops a lame foot, thus placing the burden of winning on Speed. Miraculously, the intense competition of the race spurs Speed to win both his match and Helen's love, while also accomplishing the reconciliation of Donald and Roberta.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Dollars and Sense perfectly mirrors the editorial trajectory of our deep dive.

When the wild Bohemian life style of Greenwich Village has destroyed successful novelist Tom Blake's ability to write, his publisher refuses to advance him more money until he forsakes that environment. A friend of Tom's arranges for him to become the boarder of her Southern friend Eugenia, a fledgling writer inspired by Tom's first novel, so he can find the quiet he needs for work. Using an assumed name, Tom is introduced to Eugenia's proud, aristocratic grandmother as a guest, since she would never condescend to taking in boarders. Toby, the Black servant, defers to Tom, but does not give him the elaborate, courtly bow he reserves for family members. After Tom helps turn Eugenia's poor manuscript into a novel by virtually rewriting it himself, the book's success allows Eugenia to pay the estate's mortgage, but, when she learns Tom's identity, she furiously declares that she wants no charity. After experiencing Greenwich Village however, Eugenia returns, forgives Tom, and they marry. Tom then receives his long-awaited bow from Toby.

Dir: Harry Beaumont

A police patrolman must overcome enormous odds, including the apprehension of two villainous characters, before he can marry the girl of his dreams, the daughter of a millionaire.

Dir: Harry Beaumont

A visual fragment from the archive: The thematic resonance of Going Some perfectly mirrors the editorial trajectory of our deep dive.

Skinner is afraid to strike his employer for a raise for fear he will be discharged. Mrs. Skinner scoffs at his fears, however, and finally induces him to demand an increase. Her humble spouse gets the proverbial "cold feet" at the final moment; so to "cover up" before his wife, he fibs a little and tells her he got the raise, taking the money from his private bank account. She forthwith makes him purchase a dress suit and "spruce up." Although it almost wipes Skinner's bank account out, he buys the clothes. Skinner is frantic; he sees the wolf at the door. But, by virtue of his dress suit and good appearance, he gets acquainted with some wealthy people and is enabled to put over a big business deal for his firm. Rushing into his company's office with the order, he demands a raise and a partnership in the firm. He gets both.

Dir: Harry Beaumont

William Manning Skinner, having attained a junior partnership in the firm of McLaughlin and Perkins, aspires to higher things. He figures that by working for himself he can become the Napoleon of the industrial world. He resigns his position and sets up in business for himself on a big scale. Skinner runs onto the verge of bankruptcy. He neglected to note that the prestige of the old-established firm he left had been largely responsible for his past success. Does he confess his failure to Honey, his adoring little wife? No. He informs her casually he is making money so fast he cannot count it. Honey confides to Mrs. McLaughlin, who in turn tells her husband. McLaughlin and Perkins decide they have made a tremendous mistake in letting Skinner get out of the firm. So it happens that just as Skinner is preparing to go into bankruptcy, a miserable failure, the partners make him a staggering offer to become again a member of their firm. It was Skinner's bluff that did it, coupled with Honey's unfailing belief in her husband's Napoleonic might.

Dir: Harry Beaumont

Finding himself broke and out of a job in Paris, American William Ruggles joins the Turkish army and is sent to fight in its war in the Balkans. During a particularly hard-fought battle, he rescues a wounded Turkish soldier. Before he dies the Turk, out of gratitude, leaves William his fortune--but with the proviso that he take care of the Turk's three beautiful young wards. After he leaves the army, William and the three young girls--Roxana, Rosa and Bulbul--move to Paris, where William meets up with young Ruth Downing, the daughter of his former employer. They fall in love, but Roxana--who is also in love with William--is determined that nothing will stand in the way of her getting him and she will do whatever it takes to achieve that end.