Underground Favorites Parallel to the Artistry of Three Friends: Cult Guide

Dir: Ernest C. Warde

When young writer Brandon McShane is left penniless by the death of his father, he is forced to rent a room in the tenement district from the Mahon family. Brandon soon becomes infatuated with the fortune hunting Mimi Gascoigne, who casts him aside for a wealthy suitor. In search of revenge, Brandon acquires a magic skin which will gratify its owner's wishes, but which exacts years from the petitioner's life in payment. Brandon wishes himself wealth and his enemies unhappiness, and then lives in terror of the penalty he must pay. One day he meets Pauline Mahon who has loved him since his tenement days. Pauline convinces Brandon to wish the skin out of his life, and then he discovers that Pauline's love is the fulfillment of this last wish.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of Humor Risk perfectly mirrors the editorial trajectory of our deep dive.

Harpo played the hero, a detective named Watson who "made his entrance in a high hat, sliding down a coal chute into the basement". Groucho played an "old movie" villain, who "sported a long mustache and was clad in black", while Chico was probably his "chuckling [Italian] henchman". Zeppo portrayed a playboy who was the owner of a nightclub in which most of the action took place, including "a cabaret, [which allowed] the inclusion of a dance number". The final shot showed Groucho "in ball and chain, trudging slowly off into the gloaming". Harpo, in a rare moment of romantic glory, gets the girl in the end.

Dir: Julius Herska

France in the late 1600s, the son of a widowed lord is kidnapped by gypsies, who carve a permanent grin on the child's face. When the deformed boy grows up, he falls in love with a blind girl named Dea, and joins a touring company as a performer. Calling himself Gwynplaine, he develops an act in which he reveals his hideous face to the crowds for money. A sexually perverse, seductive socialite named Josiane becomes attracted to him and seeks to possess him.

Dir: André Deed

A visual fragment from the archive: The thematic resonance of The Man Who Laughs perfectly mirrors the editorial trajectory of our deep dive.

The story begins with a scientist creating a device shaped like a man that can be remote-controlled by a machine.

Dir: Jan S. Kolár

Richard Bor brings his neighbor, the landowner Drazicky, an old book. The latter tries in vain to persuade his wife Dagmar to leave. In the book Drazicky finds the story of the Mystery of the Black Tower and he falls asleep. He goes into the tower and finds an alchemist's laboratory and the body of a man holding instructions describing how he can be revived. Drazicky successfully carries out the experiment and finds out that the man is his ancestor Jesek Drazicky who lived during the time of Rudolf II. He had become the apprentice of the alchemist Borro who had entrusted him with the mystery of the elixir of life.

Dir: Maurice Elvey

A visual fragment from the archive: The thematic resonance of The Mechanical Man perfectly mirrors the editorial trajectory of our deep dive.

Sherlock Holmes comes to the aid of his friend Henry Baskerville, who is under a family curse and menaced by a demonic dog that prowls the bogs near his estate and murders people.

Dir: Edward F. Cline

A bank clerk ends up in a seemingly haunted house that is actually a thieves' hideout.

Dir: Károly Lajthay

A visual fragment from the archive: The thematic resonance of The Arrival from the Darkness perfectly mirrors the editorial trajectory of our deep dive.

A girl has frightening visions after visiting an insane asylum where one of the inmates claims to be Drakula and she can not be sure whether they were a nightmare or real.

Dir: F.W. Murnau

In the castle Vogeloed, a few aristocrats are awaiting baroness Safferstätt. But first Count Oetsch invites himself.. Everyone thinks he murdered his brother, baroness Safferstat's first husband, three years ago. So he is rather undesirable. But Oetsch stays; arguing he is not the murderer and will find the real one...

Dir: Fred Stranz

A fascinating piece of cinema that shares thematic elements.