The Definitive Guide Inspired by the Vision of Tol'able David: Cult...

Dir: Henry King

The only remaining members of New Orleans' proud but poor Creole family are Lucie De Montrand, her brother François and their aunt, Tante Jeanne. Two men are in love with Lucie: James Morgan, a wealthy plantation owner whom her aunt wishes her to marry, and the impoverished Robert Orme, whose love Lucie returns. Desperate to win the favor of the town vampire, François gives her the jewels that Gaspar La Roche, an old antique dealer, had earlier given to Lucie. Then, when Lucie fails to wear them as the queen of the Knights of Consus Ball, Gaspar refuses to believe that she is ignorant of their whereabouts. If she marries him, he suggests, she may keep the jewels, but otherwise, she must return them immediately. Lucie learns from Corinne, the cook, that François has taken the gems, whereupon she visits his sweetheart and demands their return. As she walks home, Gaspar insults her, but she is defended by François and Robert. In the confusion, the gun that Gaspar had pointed at François is discharged and the antique dealer is killed. Repentant, François abandons the vampire and assumes his position as the head of the family, while Lucie, through the mediation of Father Moret, finally is allowed to marry Robert.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of Shadows and Sunshine perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Henry King

Seductive vamp La Belle ( Lillian Lorraine ) sets out to steal Jack Holmes ( Henry King )away from his loving wife Mary ( Mabel Van Buren ). He foolishly spends every penny on the vamp , leaving his wife almost destitute. La Belle is killed by a jealous suitor and the evidence points to Jack. However, he is given an reprieve by the way of a letter written by La Belle claiming she had intended to commit suicide. Should his wife now forgive him ?.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of Should a Wife Forgive? perfectly mirrors the editorial trajectory of our deep dive.

Harry Mason is called home by wire, but when he arrives, he finds that his wife Ruth has just died in childbirth. Thoroughly shaken, Harry refuses to look at the baby, and after locking the door to the room that Ruth had prepared as the nursery, he departs for Europe, leaving little Martha in the care of her grandfather, Colonel Mason. In an attempt to escape his grief, Harry travels throughout the world, but the spirit of his wife continually distracts him, and he finally decides to return home. Unaware of her father's identity, Martha, now a charming and spirited little girl, befriends Harry and soon convinces him to unlock the nursery door. On the bureau, he finds the letter his wife had left him years earlier, requesting that he care for their child in the event of her death. Realizing his blindness, Harry takes Martha to his heart.

Dir: Henry King

Just after Bob's fiancée breaks off their engagement, he meets young Mary, whose mother has just died, and the two of them comfort each other.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of The Locked Heart perfectly mirrors the editorial trajectory of our deep dive.

Clutching a dagger, a woman enters a room through velvet portieres and murders Nathan Standish, the scion of a distinguished family. Nathan's sister Sylvia hides the knife, and when the butler Bobbins--whose hatred of Nathan was well-known--is arrested, Sylvia remains silent. To please her father, Sylvia marries the prosecuting attorney Paul Wagner. When she secretly tries to help free Bobbins, detective Bull Ziegler, who believes that Bobbins is innocent, suspects Sylvia. After Sylvia's hysterical speech during sleep leads Wagner to suspect her, she becomes insane. Wagner and her father take her to a mountain retreat where she recovers her sanity without regaining her memory. Just as Ziegler is about to have Sylvia arrested, a telegram arrives informing them that Sylvia's cousin committed suicide and left a note stating that she killed Nathan in revenge for being betrayed by him. Sylvia, who tried to protect the family name, recovers her memory when she learns of the suicide.

Dir: Henry King

While he digs for gold day by day, "The Easterner," a young miner, gambles by night. A woman of the camps, named Moll, takes an interest in him and tries to break him of the habit that is his ruin. He laughs at her, but after she saves his life he promises to quit playing. Kate Gardner, a girl of the west loves him, and she is turn is loved by Bill Turner, a miner. Turner proves to her that the Easterner loves Doris Wendell, daughter of a wealthy land owner. She, with Moll, is instrumental in saving the Easterner's life when he is about to be lynched by a mob at the command of the jealous Turner. Peter Gardner, her father, covets the Easterner's claim and bribes Dick Weed, the gambling house proprietor, to help him get the claim. They attempt to make him gamble, but he is true to his promise. Later he discovers that Moll is his mother, whose passion for gambling he has inherited. Oby, a half-wit. Haunts the camp. Moll and her son try to live respectably after Doris has broken the engagement because the Easterner refuses to disown his mother. But the passion for gambling proves too strong. Moll rushes out of the house to the Hall of Chance. Her son is inveigled by Weed and Gardner into betting his claim. As he loses, Oby snatches away the tablecloth, jumbling the cards. Gardner, in a rage, strikes him down. His memory returns and he recognizes Gardner as the man who robbed him many years before, and shoots him. Dying, Gardner admits that Kate is Oby's daughter. Reunited with her father, she marries the Easterner.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of Little Mary Sunshine perfectly mirrors the editorial trajectory of our deep dive.

Run out of town when he exposes crooked politician Jarvis McVey in the pages of his newspaper, Burton Grant asks his daughter Sylvia to turn the Daily News over to his dynamic young city editor, Frank Summers. Having inherited her father's journalistic talents, however, Sylvia fires Frank and takes charge of the paper herself, decorating the city room with bows and printing several rather silly "scoops." In the meantime, Frank learns that McVey and the president of the railroad have become involved in a dishonest scheme concerning the city franchise, and when Sylvia hears this, she publishes an extra, stating that McVey should be tarred and feathered. Sylvia's father arrives just in time to prevent the angry townspeople from carrying out her suggestion and then compels McVey to leave town. Grant orders Sylvia to return to school, but she decides to become Mrs. Frank Summers instead.

Dir: Henry King

Wealthy diamond collector Larry Hanrahan is given the opportunity to assist the beautiful, jewel-bedecked woman he admires in a Broadway café when she and her guardian are attacked by robbers. Larry is invited to visit the grateful pair, Col. Paul Gascoyne and his ward Adrienne, at the colonel's laboratory, where he is introduced to Wintermute, a chemist who produces imitation diamonds. In return, Larry asks them to view his priceless diamond collection. Although he has fallen in love with Adrienne, Larry is forced to believe that she is a thief when he is robbed by a woman wearing Adrienne's scarf. Larry finds his jewels in Gascoyne's house, but before he can escape, a group of thugs overpowers him. Adrienne assists him in contacting the police, who arrive in time to capture Gascoyne and his gang. Badly wounded, the colonel confesses that Adrienne has been his innocent dupe, whereupon Larry happily takes her to his heart.

Dir: Henry King

No one seems to understand or love Fay, the little spoiled granddaughter of William Van Loan, a hard-hearted capitalist, but the old family butler, who tells her fairy stories. In Powhatan, a mining town controlled by Van Loan, Bessie, a sweet motherless child of Jasper Hunt, a mine foreman, lives with their housekeeper, Mrs. Flannigan. The mining company raises the price of food stuffs at the only store; the men resent this, and failing to get increased pay, strike. Van Loan refuses to yield and decides to use scab labor. Scenes of violence follow and, compelled to go to Powhatan, Van Loan takes Fay with him. Fay meets and plays with Bessie and for fun they change dresses. Separated, the unusual likeness deceives the Van Loan governess, who supposes Bessie to be Fay and whisks her away. Mrs. Flannigan finds and takes Fay, sick from exposure, to the Hunt home. Business hurriedly recalls Van Loan and mistaken for a changed Fay, Bessie revolutionizes the Van Loan household by her sweetness. Hunt, the real leader of the striking men, is summoned to meet Van Loan. During the unsuccessful arbitration meeting, Bessie comes in to bid her "grandfather" good night and, seeing her father, rushes to his arms. Hunt, busy with the strike, supposes her to be ill at home. They are all dumbfounded. Bessie tells them how she and Fay changed clothes. Looking up the family trees, the likeness of the "twin" kiddies is explained, and, completely won over, Van Loan yields to the men and Hunt is made mine superintendent. Years of dread follow, and just as a report of the other's death reaches him, his foe appears, immensely wealthy and wreaks the vengeance in a spectacular manner.