Editor's Top Picks Sharing the Atmosphere of Toonerville Tactics: C...

Dir: Ira M. Lowry

A young girl inherits half of the Lost Camp Mine when her father dies. His partner tries to help her from being cheated out of her share of the mine, first by local crooks and then by a group of her greedy relatives back East.

Dir: Ira M. Lowry

A visual fragment from the archive: The thematic resonance of High Pockets perfectly mirrors the editorial trajectory of our deep dive.

U.S. Marshal "High Pockets" Henderson discovers the body of Bud Blythe near the town of Farewell. After leaving his fingerprints on a photograph of Blythe's sister Joy, who traveled West with Blythe to start a ranch, High Pockets informs the sheriff. As Joy packs to go East, cattle thief Max Manon enters her home. After Joy forces him out, she goes to town, where Max's partners, Jim Stute and Bull Bellows, try to get her to drink. Recognizing her from the photograph, High Pockets intercedes and takes her to a hotel. When Manon climbs to her window, High Pockets lassoes him and drags him down. After High Pockets convinces Joy to stay and gets her work at the general store, the sheriff tries to arrest High Pockets for Blythe's murder because of the fingerprints, but High Pockets imprisons the sheriff and his aides. When Blythe's twin brother arrives, High Pockets makes Manon's sweetheart believe that the brother is Blythe's ghost. She screams that Manon was the murderer. High pockets stops Manon's escape, rounds up the others, and marries Joy.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of An Amateur Devil perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Ira M. Lowry

In World War I China, Princess Tsu, who leads a secret group dedicated to eradicating German influence in China, learns that the Chinese viceroy, in order to further his own ambitions, has organized an army to help Germany win Russia. She steals their written agreement and smuggles it to American agent Robert Kenyon, with whom she has fallen in love. The princess' jealous fiancé, Prince Kang, tells her that Robert is betrothed to an American girl and, bent on revenge, she informs German agent Von Richtman that Robert possesses the secret papers. In Washington, Von Richtman sends his henchmen to apprehend Robert before he can reach the Secretary of State, but Princess Tsu, whose love of country has triumphed over her personal concerns, foils the plot. Aware of her great love for Prince Kang, she returns to China and marries him.

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Ira M. Lowry

Al Boyd, a wealthy cattle rancher, falls in love with Betty Swiftmore, the sophisticated daughter of an Eastern meat packing tycoon. However, Betty loves fellow socialite Harrison Stevens and dismisses Al's marriage proposal, until a lawsuit threatens to bankrupt her family. She consents to marry Al, but his awkwardness among her society friends and his inability to dress appropriately cause Betty to remain cold throughout their honeymoon. After maligning Al's character, Harrison convinces Betty to travel with him to a cottage in the mountains, falsely assuring her that his mother and sister will act as chaperons. Al follows, part of the way on an iceboat, and arrives in time to stop Harrison's assault on Betty. Her coldness toward Al soon melts away, and she acquiesces to his request that they "travel the straight road together."

Dir: Ralph Ince

A visual fragment from the archive: The thematic resonance of For the Freedom of the East perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Ira M. Lowry

After Sandy Burke rescues orphaned seven-year-old Dolly Morgan from Jim Diggs, who gunned down her father, he gives her to the Widow Mackey to rear. Learning that the widow's mortgage soon is due to Digg's partner, Lafe Hinton, Sandy goes to rancher Jeff Kirby for a job, but is mistaken for desperado Slim Dillon, and captured by Kirby's daughter Molly. After Sandy proves his innocence, he masquerades as Dillon and robs a stagecoach to help the widow. Sandy wins the mortgage money playing poker with Hinton. Kirby hires Sandy to stop the thieves rustling his prize steers. Sandy suspects Diggs and Hinton, and after he rescues Molly from Diggs, he finds a letter from a packing firm which proves his suspicions. Diggs recaptures Molly, and Sandy, pursuing, falls into Diggs' trap. As Diggs prepares to brand Sandy's bare back, Molly's pleas give Sandy the opportunity to pry loose. After capturing Diggs, Sandy, who loves Molly but thinks that she loves another, says goodbye. Molly then takes his revolvers and orders him to put his hands up and around her.