Must-Watch List Comparable to the Style of Up Romance Road: Cult Guide

Dir: Henry King

No one seems to understand or love Fay, the little spoiled granddaughter of William Van Loan, a hard-hearted capitalist, but the old family butler, who tells her fairy stories. In Powhatan, a mining town controlled by Van Loan, Bessie, a sweet motherless child of Jasper Hunt, a mine foreman, lives with their housekeeper, Mrs. Flannigan. The mining company raises the price of food stuffs at the only store; the men resent this, and failing to get increased pay, strike. Van Loan refuses to yield and decides to use scab labor. Scenes of violence follow and, compelled to go to Powhatan, Van Loan takes Fay with him. Fay meets and plays with Bessie and for fun they change dresses. Separated, the unusual likeness deceives the Van Loan governess, who supposes Bessie to be Fay and whisks her away. Mrs. Flannigan finds and takes Fay, sick from exposure, to the Hunt home. Business hurriedly recalls Van Loan and mistaken for a changed Fay, Bessie revolutionizes the Van Loan household by her sweetness. Hunt, the real leader of the striking men, is summoned to meet Van Loan. During the unsuccessful arbitration meeting, Bessie comes in to bid her "grandfather" good night and, seeing her father, rushes to his arms. Hunt, busy with the strike, supposes her to be ill at home. They are all dumbfounded. Bessie tells them how she and Fay changed clothes. Looking up the family trees, the likeness of the "twin" kiddies is explained, and, completely won over, Van Loan yields to the men and Hunt is made mine superintendent. Years of dread follow, and just as a report of the other's death reaches him, his foe appears, immensely wealthy and wreaks the vengeance in a spectacular manner.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of Shadows and Sunshine perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Henry King

Chief of the German secret service in Paris, Prince Kondemarck has been ordered to secure for his government the service of the most clever and beautiful woman obtainable. Liane Dore, widow of the late Sebastian Dore, who was killed mysteriously, agrees to serve on the prince's promise to reveal in one year the name of the man who killed her husband, against whom she has sworn vengeance. Unknown to Liane, the prince himself accidentally killed Dore who, posing as a bachelor, betrayed the prince's sister. In the course of their association as spies, Liane and the prince fall in love. When war comes, Liane throws her home open to wounded Frenchmen, and Baron Arnorld von Pollnitz, a German spy seeking revenge on the prince, denounces Liane as a spy. Arrested and sentenced to death, she is saved by the prince. After learning that her rescuer was her husband's killer, Liane is on the verge of betraying him when he produces letters which prove her husband's duplicity, and together they flee on board the prince's yacht.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of Souls in Pawn perfectly mirrors the editorial trajectory of our deep dive.

Shouts of joy and the clapping of many tiny hands welcomed the arrival of the big birthday cake. For this was Little Mary's birthday. To celebrate all Mary's little friends had been invited and the big event which preceded the supper and the cutting of the cake was a performance of Cinderella and the affair of the glass slipper. Little Mary forgot to leave at the hour of 12, and when she was called away by the fairy she dropped her glass slipper on the stair. Of course, to every one's amazement, when the Prince went looking for the owner of the slipper, the only one whom it fitted was Little Mary. The party and the excitement was all over, and, as an added help to recuperate from the strain of starring. Little Mary the next day went auto riding with the chauffeur. But fate then took a hand in the story of Mary's life. Captured by Gypsies and later escaping in the midst of a battle royal amongst the tribe she finally made her way to the hut of a crabbed old man, but she finally overcame his crabbedness by her cute and winning smile. Unknown to Little Mary, her benefactor was in reality her grandfather, James Andrews, who had taken his money to this backwoods place because of his son, Dr. Andrews, who had married against his wishes. The chauffeur, wild with anxiety, finally located Little Mary in the cellar, where she had gone to help the old man, who had fallen while miserly counting his money. Would they be able to reach the city in time? They faced a hard task, but Little Mary had known harder work when she had starred in Cinderella.

Dir: Henry King

Richard Chester, a bachelor who has lost everything in a poker game, blunders into the apartment of Nora Ellis, who has just inherited a fortune under the stipulation that she marry immediately. Assuming the name Chester Dick, Richard marries Nora and leaves. Unaware of this marriage of convenience, Charles Renalls, Nora's suitor, later assumes that her wealth is the only impediment to their union and conspires to ruin her on the market. Upon learning of his scheme, Richard ruins Charles. Nora falls in love with Richard, not recognizing her benefactor as her husband of an evening. Hoping to spoil Richard's chances with Nora, Charles tells her that Richard is already married and that he carries his wife's picture in his pocket. To her surprise and delight, Nora discovers that the incriminating picture is her own photograph and that Richard is already her husband.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of Sunshine and Gold perfectly mirrors the editorial trajectory of our deep dive.

While he digs for gold day by day, "The Easterner," a young miner, gambles by night. A woman of the camps, named Moll, takes an interest in him and tries to break him of the habit that is his ruin. He laughs at her, but after she saves his life he promises to quit playing. Kate Gardner, a girl of the west loves him, and she is turn is loved by Bill Turner, a miner. Turner proves to her that the Easterner loves Doris Wendell, daughter of a wealthy land owner. She, with Moll, is instrumental in saving the Easterner's life when he is about to be lynched by a mob at the command of the jealous Turner. Peter Gardner, her father, covets the Easterner's claim and bribes Dick Weed, the gambling house proprietor, to help him get the claim. They attempt to make him gamble, but he is true to his promise. Later he discovers that Moll is his mother, whose passion for gambling he has inherited. Oby, a half-wit. Haunts the camp. Moll and her son try to live respectably after Doris has broken the engagement because the Easterner refuses to disown his mother. But the passion for gambling proves too strong. Moll rushes out of the house to the Hall of Chance. Her son is inveigled by Weed and Gardner into betting his claim. As he loses, Oby snatches away the tablecloth, jumbling the cards. Gardner, in a rage, strikes him down. His memory returns and he recognizes Gardner as the man who robbed him many years before, and shoots him. Dying, Gardner admits that Kate is Oby's daughter. Reunited with her father, she marries the Easterner.

Dir: Henry King

Seductive vamp La Belle ( Lillian Lorraine ) sets out to steal Jack Holmes ( Henry King )away from his loving wife Mary ( Mabel Van Buren ). He foolishly spends every penny on the vamp , leaving his wife almost destitute. La Belle is killed by a jealous suitor and the evidence points to Jack. However, he is given an reprieve by the way of a letter written by La Belle claiming she had intended to commit suicide. Should his wife now forgive him ?.

Dir: Henry King

A visual fragment from the archive: The thematic resonance of All the World to Nothing perfectly mirrors the editorial trajectory of our deep dive.

Millionaire J. Warren Hobbs, Sr., sends his lively young son to New Mexico to buy back a mine he previously had thought worthless but since has discovered is rich in tungsten deposits. Lord Willoughby, the mine owner's twin brother, suggests to Hobbs's business rival, Rufus Renshaw, that he buy the mine, after which Willoughby, Renshaw and Renshaw's daughter Helen, the sweetheart of Hobbs, Jr., catch a westbound train. Angered when Helen scorns his advances, Lord Willoughby disguises himself as his brother and sells Renshaw the mine; meanwhile, Hobbs, Jr. purchases it from its real owner, Louis Willoughby. Soon after Renshaw discovers that Lord Willoughby tricked him, Hobbs, Jr. learns that the mine is worthless after all and sells it to Renshaw in return for the old man's permission to marry Helen. Having successfully tricked the whole party, Hobbs and his fiancée make a quick exit.

Dir: Henry King

Just after Bob's fiancée breaks off their engagement, he meets young Mary, whose mother has just died, and the two of them comfort each other.

Dir: Henry King

Young Joy ( Baby Marie Osborne ), the sole survivor of a shipwreck that killed her parents, is rescued by fishermen and then placed in an orphanage. Although reputable on the surface, the home really functions as a front for some crooks who want to keep Joy there because she carries with her all of her mother's jewelry. Joy manages to escape, but without the jewels, and then stows away on a train heading out West. After arriving, she meets Hal Lewis ( Henry King ), who has been made an outcast by his upper crust Eastern family. Hal soon adopts the little girl and, becoming stronger and more serious through the responsibilities of parenthood, he returns home with Joy. Then, after receiving his father's forgiveness, Hal breaks up the orphanage gang and retrieves Joy's jewels.