Masterpiece Selection that Capture the Essence of Veiled Aristocrat...

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Oscar Micheaux

The Homesteader involves six principal characters, the leading one being Jean Baptiste (Charles Lucas), a homesteader far off in the Dakotas, the lone African American living in the area. To this wilderness arrives Jack Stewart, a Scotsman, with his motherless daughter, Agnes (Iris Hall), who doesn't know that she is biracial. In Agnes, Baptiste meets the girl of his dreams. Peculiar fate threw her in the company of the Homesteader, but, because Baptiste is black and Agnes is presumably white, their love is forbidden by law. Baptiste eventually sacrifices the love of this girl of his dreams, goes back to his own people and marries Orlean, the daughter of a black preacher named McCarthy. McCarthy, the embodiment of vanity, deceit and hypocrisy, really admires the marriage his daughter has made. He speaks of the "rich" young man she has married, praises him to the highest. Baptiste does not know, however, that McCarthy requires and is in the habit of having people praise him. Baptiste does not do it because he is not of the temperament to do so. Because of this failure grows the tragedy of mismarriage to Orlean (Evelyn Preer), a sweet girl, kind and good, but like her mother, without the strength of her convictions. Baptiste, Orlean having failed him, is persecuted by McCarthy and by Ethel (McCarthy's other daughter), who, like her father, possesses all the evil a woman is capable of; she is married to weak-kneed Glavis. In the end, Orlean, driven insane by the evil she had been the innocent cause of, rights a wrong which causes Baptiste to go back to his land in the Dakotas, where he finds the girl he first discovered. Later, he learns[by whom?] the truth about her race and the story has a beautiful ending.

A visual fragment from the archive: The thematic resonance of The Homesteader perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harry Southwell

A fascinating piece of cinema that shares thematic elements.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

A visual fragment from the archive: The thematic resonance of The Kelly Gang perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.