Rare Cinematic Gems Exploring the Legacy of Wild Winship's Widow: Cult Guide

Dir: Charles Miller

John Adams is working his way through college. Jane is the little slavey in his boarding house. John at first has no idea of falling in love with Jane, but she is completely gone on him from the beginning. In fact, he has his eyes on Ethelda Rathbone, a young college girl. There came a time when John wanted to attend a ball at which Ethelda was to be present, but he hadn't a dress suit. Jane chanced to become aware of this, and with her scanty savings rented him one. Of course she couldn't tell him she did that, but she pretends that it was left there by a former boarder. So he goes to the ball. But boys will be boys, and his classmates rip the coat up his back, and he is compelled to come home without having seen Ethelda at all. Jane takes the suit back to the dealer, unaware that it is ruined. When the dealer discovers it, he demands payment. There follows a scene in the street in which she is humiliated. It was then that old Frederick Verstner, the town photographer and a man of considerable means, came to the crowd. Hearing her pitiful story, he made good the amount to the dealer. Shortly after this, Jane went to Verstner's to have her picture taken that she might give it to John. A newspaper in New York was offering a prize for the most beautiful photograph of a college girl, and Verstner's was crowded with girls from the school. Verstner took a picture of Jane, and, by loosening out her tresses and placing something filmy about her shoulders, he made her look beautiful. Through a course of circumstances, and without Jane's knowledge, this photograph is sent along with the others to the paper. And it wins the prize. Jane is, of course, as much surprised as the rest. And so is John. Verstner adopts the girl, educates her and makes her the most popular girl in the place. And then comes a great awakening for John.

Dir: Charles Miller

After his wife/model dies of starvation with her portrait unfinished, an impoverished artist meets another woman with a striking resemblance to her.

A visual fragment from the archive: The thematic resonance of The Ghosts of Yesterday perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Miller

Jim Morrison, an English army officer who comes from a very old and prominent family, marries the ravishingly beautiful but unscrupulous Cleo, who has no qualms about using her sexual allure to get the luxuries she wants but that her husband can't provide. When Jim is sent off to war, Cleo embarks on a series of affairs, one of which results in her becoming the love slave of a German spy--the very spy that her husband has been assigned to track down.

Dir: Charles Miller

Elderly millionaire James Rance, whose only passion is chess, warns his grandson Tommy, who missed the previous evening's game because he played poker with his uncle Gilbert, that should he miss another game, Gilbert will gain the boy's inheritance. During another poker game the next night, Gilbert provokes a fight between Tommy and another player that results in the other player's supposed death. Meanwhile, Terrence Redmond, the guardian of an orphan he found while fighting in France, falls in love with Dawn Moyer. During Elsie Rance's party at the Hotel Plaza, Terrence gallantly offers to assist Elsie whenever she needs him. The next morning, when Tommy's absence is discovered, Elsie calls Terrence, who, after beating Gilbert's Japanese servant in jujitsu, locates Tommy and Dawn at Gilbert's country home. After Gilbert's attempt to poison Terrence is discovered when a cat dies after drinking Terrence's cream, Terrence fights Gilbert's henchmen with broadswords and wins because of his inherited penchant for violence. Tommy returns in time for the chess match, and Elsie becomes engaged to Terrence's friend Bruce, leaving Terrence free to romance Dawn.

A visual fragment from the archive: The thematic resonance of The Dark Road perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Miller

Vera Souroff, a young Russian girl, is seized on the street and dragged into a room where three officers of the Czar's guard have been dining. The lights are turned out and the girl is outraged. The crime is brought to the attention of the Czar. Vera cannot tell which of the three officers is the guilty man. The Czar orders Count Nicho, the eldest of the three officers, to marry the girl, and makes them all turn over their fortunes to her. They are then sent to prison. The revolution breaks out. Vera saves her husband at the risk of her own life, as she wishes to wring from him the name of the man that violated her. Nicho, now honestly in love with his wife, admits that he was her assaulter, and the couple clasp each other in a fervent embrace.

Dir: Charles Miller

Jerry Ross, the daughter of an East Side homemaker, decides to sell newspapers to earn money. She disguises herself as a boy, goes to one of the busiest street corners in the city, and soon captures the bulk of the business.

A visual fragment from the archive: The thematic resonance of A Dangerous Affair perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Miller

The Flame, a dance hall girl who rules the Midas Café, is notorious from Nome to Dawson. She meets her match in a youth named George Fowler, whose good looks and raw nerve compel her to grubstake him and go straight while awaiting his return from the gold fields. One day, a young girl and her baby arrive at the camp, looking for her husband, George Fowler. Shaken, the Flame takes the girl home and when the youth returns he is informed that the Flame is dead. Forlorn, the boy decides to break the bank but the saloon's proprietor plans to rob him instead, and only the Flame's appearance with her six guns saves his life. Not having the courage to tell the boy about his wife and child, the Flame takes her lover to the hotel where she battles with her conscience. Her better nature finally wins, however, and the Flame discovers that there are actually two George Fowlers and that the one she loves is single.

Dir: Charles Miller

Just before mountain girl Barbara "Bawbs" Colby's aunt dies, she reveals that Bawbs' deceased father had left her $5000, but to watch out for men because they would only be interested in her for her money. Her aunt's warning is tested when Bawbs falls for a new arrival in the mountains named Ralph Gunther, who says he is an author who's there for the peace and quiet he needs to write.

A visual fragment from the archive: The thematic resonance of At the Mercy of Men perfectly mirrors the editorial trajectory of our deep dive.

Dir: Charles Miller

Sylvia Maynard is a stenographer for a theatrical producer and tries to prove to her boss, that she can act by posing as a society woman at a lavish house party. Don Meredith, the struggling playwright who wrote the work in which Sylvia wishes to star, also masquerades as a famous writer at the party in order to prove that the central thesis of his play is valid: that one can pose in any role in high society and get away with it. Sylvia, introduced as the widow of Captain Milton Brown, falls in love with Don, but her joy turns to panic when her supposedly dead husband suddenly appears. The amused captain allows Sylvia to continue her impersonation for a time but advises her to leave the party. Don, heartbroken, also leaves, but after several adventures in which he helps Sylvia retrieve papers stolen during the party by a German spy, the two lovers are reunited in their true identities, and the play debuts successfully.

Dir: Charles Miller

Margot Hughes is a butterfly society girl who sells herself to the highest bidder. Her husband does not press his ownership "by right of purchase," and she misunderstands his delicacy and she things that love is lost to her. She goes to France to serve the cause of humanity. There they meet again and understanding comes. For the Program: A loveless marriage that turned out differently. - Moving Picture World, February 2, 1918.