Underground Favorites Parallel to the Artistry of Within the Law: C...

Dir: William P.S. Earle

Lord Killowen, the landlord of a little village in Ireland, employs Harvey Dowd and his worthless son, Peter, to collect the rents. When Peter arrives at the modest home of Ann, a young lace maker who lives with her aunt and blind grandmother, he makes improper advances towards her, but Killowen, who is motoring through the area, rescues her. Without leaving her a receipt, Peter absconds with the rent money to America, and Ann's family is evicted. Determined to recover her money, Ann follows Peter to New York, where she is befriended by a policeman, who informs her that Killowen has come to America to court the wealthy Eileen Murtagh. Lord Killowen takes Ann to Eileen's home, but the latter, in a fit of jealousy, orders the girl to leave. When Ann returns during Eileen's engagement party, Killowen realizes that he prefers the little lace maker and proposes to her.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of The Woman Game perfectly mirrors the editorial trajectory of our deep dive.

To please her once-wealthy mother, Amy Terrell fraternizes with members of high society who find her entertaining because of her beauty and charm. At one of Mrs. Van Trant's house parties, Amy is requested by her hostess to amuse Andrew Masters, an influential businessman who has an aversion to society women. Impersonating an old-fashioned girl, Amy wins Masters--until he learns of her deception and denounces her. However, when Mrs. Van Trant attempts to shield herself by involving Amy in a scandal with a young captain, Masters realizes that Amy really is the innocent girl he loves.

Dir: William P.S. Earle

When Keene McComb, a young explorer on an expedition to the North Pole, is given up for lost, his fiancée, Hester Thorpe, is coerced by an ambitious aunt into marrying Martin Ward, a man of reputed wealth. McComb survives, however, and returns to New York a few hours after the marriage. Later, Hester seeks his protection when Ward strikes her because of her refusal to ask McComb for money, and when it appears that Ward has committed suicide she and McComb are married. Ward is still alive, however, but he meets his death on a rocky precipice.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of Gilded Lies perfectly mirrors the editorial trajectory of our deep dive.

Margaret Kirby refuses her husband's request to help him obtain a loan from her guest, Gordon Pell. The husband, John, in financial difficulties, then attempts suicide and becomes seriously ill. Margaret takes in boarders and is compelled to mix with people outside her social set. Lucille, John's former admirer, creates a misunderstanding by means of forged telegrams, but the discernment of Gordon Pell clarifies the situation and Margaret and John are reunited.

Dir: William P.S. Earle

Whispers are heard in the social circle of Daphne Morton because of her constant association with married man Dyke Summers. One night while Daphne is attending the opera with Summers, his wife spots the illicit couple, a clash erupts, and the account of the affair appears in the scandal sheet the next morning. After a quarrel with her aunt, the humiliated Daphne decides to go to Washington to seek out her father, whom she has not seen since she was a child. There she meets Pat Darrick, a young reporter assigned to the Summers scandal. Unaware that Daphne is the girl in the case, Darrick falls in love with her. Summers also follows Daphne to Washington, and when Darrick sees her with her alleged lover, he is hurt and disillusioned. Daphne finally locates her father in a nearby town, to which Darrick and Summers follow her. Learning the truth, Darrick abandons his job on the scandal sheet for the love of Daphne.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of Poor, Dear Margaret Kirby perfectly mirrors the editorial trajectory of our deep dive.

Stewart, an art student in New York City's "bohemian" Greenwich Village, lives next door to his girlfriend Hedda, who wants to be a singer. One night while they are dining at their favorite cafe', wealthy Mrs. Trask comes up to them with a proposition: she knows he is an artist and wants to go to Paris to study and develop his talent, and she will pay all his expenses. He refuses because he doesn't want to leave Hedda, but she eventually persuades him to agree. It turns out that she has an ulterior motive--as does Mrs. Trask.

Dir: William P.S. Earle

After preaching at a camp revival meeting that charity begins in the home, Littleton minister Hamilton Gregory finds a girl calling herself only Fran on his doorstep and takes her into his home. Fran soon finds that Mrs. Gregory is unhappy because Gregory has no affection for her, preferring instead his secretary Grace Noir. When Fran admits to Gregory that she is his daughter by an abandoned woman, and attempts to have him get rid of Grace, Grace has Bob Clinton make inquiries concerning Fran's past. When the circus comes to town, Fran, in disguise, substitutes for an ill lion tamer, because the circus is her hidden background. Seeing her in danger, Gregory realizes his familial responsibilities and refuses Grace. Fran then marries the superintendent of her school.

Dir: William P.S. Earle

A visual fragment from the archive: The thematic resonance of Whispers perfectly mirrors the editorial trajectory of our deep dive.

During World War I, Kervyn Guild, an American citizen who was born in Belgium, is captured with other Belgian refugees by the Germans. Brought before the commanding officer, General Von Reiter, Guild is offered his own freedom as well as that of the other refugees if he goes to London and returns with the officer's daughter, Karen Girard, who actually is his mistress. In the hope of saving lives, Guild consents and is sent to London where he locates Karen. Guild's suspicions are aroused when he notices that they are being protected by the German agents and hunted by the British. His instincts prove correct when he learns that Karen is carrying dispatches to the general. On their journey back, Karen falls in love with Guild and agrees to join the Belgian cause. Before they can escape, the general arrives and demands both Karen and the papers. Guild duels to defend both and fatally wounds the general. In a breach of military ethics, the dying general then gives the lovers his blessings, and grants them a pass to go through the German lines.

Dir: William P.S. Earle

To stave off war with a neighboring kingdom, Princess Pat of Paxitania agrees to marry Warburg's King Eric. Still very young and rebellious, the new queen finds it difficult to adjust to court life, and when she accepts an invitation to take a ride with the villainous Count Ladislaus, King Eric's patience gives out and he rebukes her severely. The banished count informs Pat's father, the Grand Duke of Paxitania, that she is cruelly abused, whereupon Pat's three brothers set out to bring her back home. In the end, however, King Eric and Princess Pat come to love each other dearly, and she sends her brothers home reassured of their sister's happiness.

Dir: William P.S. Earle

Patty Baring will lose the fine old Washington Square house she is to inherit if her scheming stepfather Josiah Wheeler's plan to acquire it for himself is successful. Cruelly abused by Wheeler, a gambling hall owner, Patty runs away to live with a newsboy named Bobby and his grandfather Herman. There, in spite of her shabby dress and humble companions, she arouses the admiration of Edwin Sayer, the district attorney. Ned, a soft-spoken gambler, desires to possess Patty, and at the instigation of her stepfather, lures her into a gambling den that Edwin has been planning to raid. Patty is arrested, but Edwin secures her release and places her in the charge of his mother. Ned and Josiah are imprisoned, leaving Patty free to claim her inheritance and wed Edwin.