The Essential Watchlist that Capture the Essence of Zollenstein: Cu...

Dir: Edgar Jones

A man of great physical strength is inclined to be a bully and get what he wants by brute force. Through a ruse, the girl he loves is made by the villain to shackle him to a post in his cabin. The villain then kidnaps the girl. By brute strength the hero pulls the post down, causing the house to fall on him. Extricating himself from the ruins he overtakes the villain and in a fight throws him over a cliff. This has the effect of sobering him and he realizes that there is something else in life but brute strength.

Dir: Edgar Jones

The "the girl" can't make up her mind which man she loves, the three men decide to play a trick on her.

A visual fragment from the archive: The thematic resonance of Three and a Girl perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A guide teaches a rich man and his spoiled daughter a lesson in the Maine woods.

Dir: Edgar Jones

A young girl goes South to live with her aunt after the death of her miserly father, unaware that her father's treasure is hidden inside her doll.

A visual fragment from the archive: The thematic resonance of The Black Ace perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

Julie Le Fabrier, a romantic young model in Madame Swan's dress shop, immediately falls in love with Lee Brooks after seeing a photo of the young millionaire in the paper. Soon afterwards, Julie is sent to the Grand Tides Hotel to deliver a dress to Madame Ricardo, an attractive young woman whose bills are paid by Lee's love-struck father, Mason Brooks. Having seen her husband, whom she believed to be in South America, on the grounds, Madame Ricardo deserts the hotel, so Julie dons the gown and masquerades as Mason's mistress. In the dining room, she meets Lee, who, hoping to interrupt his father's expensive affair, ardently woos "Madame Ricardo" and marries her. Mason, furious at Lee for "poaching on his father's preserves," rushes to the hotel. Meanwhile, Lee learns that Madame Ricardo already has a husband and deserts Julie, whom he still thinks is the madame. In the end, the mistaken identities are explained, and while Mason frees himself from the wiles of Madame Ricardo, Julie finds herself the happy wife of a rich man's son.

A visual fragment from the archive: The thematic resonance of Dimples perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

Henry Warburton, who is compelled to wait 9 years before coming into a willed inheritance, retires to the backwoods and marries Nola, a girl with no refinement or social graces. At length, his friend Grant Hamilton visits him, sees in Nola possibilities to which Warburton is blind, and "kidnaps" her. Hiding in a cottage, Nola is educated by Hamilton and a governess while Warburton searches in vain for her, mystified by frequent notes advising him of her progress, the last of which tells him of a daughter's birth. A year later, Warburton returns to New York where he meets Hamilton and Nola; amazed at the transformation, he is happily reunited with his wife.

Dir: Edgar Jones

A Mountie searching for known moonshiners falls in love with the sister of a man associated with them.

A visual fragment from the archive: The thematic resonance of The Knight of the Pines perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edgar Jones

Beth Coventry, society favorite and ward of a wealthy aunt, is beloved by three men: rich broker Philip Murdock; Marquis de Tourville, a polished, brilliant social lion; and poor but promising young banker John Langton. Following an impulse, coupled with the advice of her aunt, Mrs. Gordon, Beth accepts Langton and they are married. Mrs. Connie Beverly, a young widow whose husband was Langton's best friend, mistakes Langton's kind interest in her for a deeper feeling and becomes infatuated with him, but in her determination to win his love she plans to ruin his home. John and Beth are living in a modest little home which they call "Love Cottage." Mrs. Beverly calls on Beth there and finds her reading letters which she had written to the Marquis before her marriage, which he graciously returned. Her eyes fall on the pages of one letter in which Beth had written among other things, "Europe is so far away I must have time to consider your proposal." This letter Mrs. Beverly steals. Murdock, too, is bent on breaking up the Langton home if possible, hoping yet to have Beth for his own. With Mrs. Beverly he makes an appeal to Beth's vanity, her one failing, and they succeed in getting her dissatisfied with her lot. Beth insists on John leaving the "Love Cottage" and moving into a pretentious home, where she proceeds to entertain lavishly and far beyond John's means. Murdock, posing as John's friend, induces him to speculate in stock. John is desperate as Beth tells him he will lose her love if he cannot supply her with an unreasonable allowance. He is finally driven to misappropriate bonds entrusted to his care by Beth's aunt. The couple become estranged. John strives to recover the money he has lost in speculation, while Beth gives herself up entirely to social life. At the height of a great ball, lightning strikes a tree, it crashes through a window and falls upon Beth. She is severely wounded and a cut on her face mars her beauty for life. John is called, but Beth mistakes his look of pity for one of disgust. The next day she leaves to go in seclusion while a specialist attends her. Mrs. Beverly tells John she has gone away with the Marquis, and to prove it shows him part of Beth's letter, written when she was considering De Tourville's proposal before her marriage. Beth's aunt dies several months later, leaving her fortune to her niece. Rather than face the disgrace which will attend the exposure of John's theft of the aunt's bonds, he determines to end his life at the "Love Cottage." Beth's lawyers notify her about the missing bonds. She protects John by saying she knows where they are, then she goes in search of him. Through a strange coincidence, they meet at the "Love Cottage," where they renew their first vows of love.

Dir: Edgar Jones

The doctor is in love with the girl and, as her father's consent and presence is required, this is obtained by sending the old man across the stream on a rope railway, but not allowing him to land before he gives his consent to the wedding which is all planted on the opposite shore.