Cleo's nose, stung by a bee concealed in a bouquet given her by Julius Caesar, swells up and has to be fixed by her beauty doctor, who tries out several shapes before he finds one that appeals to the historical vamp. Anthony arrives on the scene, cuts Caesar out with Cleo and runs away with her down the Nile in his two-oared galley.

United States

Stepping into the cinematic time capsule that is Anthony and Cleopatra (1913) feels less like observing a solemn historical epic and more like encountering a fever dream spun from the threads of ancient myth and burgeoning slapstick. This isn't the weighty, sweeping tragedy of Shakespeare, nor the opulent spectacle of...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Bryan Foy

F. Martin Thornton
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" Stepping into the cinematic time capsule that is Anthony and Cleopatra (1913) feels less like observing a solemn historical epic and more like encountering a fever dream spun from the threads of ancient myth and burgeoning slapstick. This isn't the weighty, sweeping tragedy of Shakespeare, nor the opulent spectacle of later Hollywood interpretations. Instead, what we are presented with is a delightfully unhinged romp, a testament to the raw, unbridled creativity of early filmmaking, where narra..."

