Summary
In an audacious subversion of domestic melodrama, Daffy House presents a narrative where the sanctity of the home is dismantled and reconstructed as a theater of the absurd. The plot orbits a desperate suitor, portrayed with an escalating sense of bewilderment by Joe Bonner, who seeks the hand of Elsa Clark’s character. His intentions are met not with a traditional paternal rebuff, but with an architectural and psychological gauntlet. The girl’s father, a figure of manipulative genius, repurposes a former film studio into a 'Daffy House'—a simulated asylum designed to fracture the suitor's resolve. By populating this space with a troupe of actors instructed to perform varying degrees of eccentricity and madness, the father transforms a simple romantic conflict into a surrealist experiment. The film functions as a meta-commentary on the artifice of cinema itself, where the 'studio' is used to create a reality so jarring that it threatens to dissolve the protagonist's very sanity, turning his pursuit of love into a frantic navigation of a manufactured nightmare.
Synopsis
A man tries to propose marriage to a girl and the father of the girl converts a movie studio into a Daffy House to deter the man from marrying the girl. Several people are hired to act strangely in the house to convince the man of a change of heart.
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