Das sterbende Modell

In the twilight of Weimar decadence, a mannequin-glazed salon becomes the stage for a danse macabre between art and obsolescence: aging couturier Herr Reval, once the golden scalpel of Berlin fashion, clings to his final muse—an alabaster-skinned model named Maria Widal whose porcelain composure masks a slow-burn revolt. Around them orbit Editha Seidel, a venomous gossip-columnist turned investor; Bruno Eichgrün, a cocaine-blitzed photographer who shoots gowns like crime scenes; Olga Engl as Reval’s silk-draped mother who speaks only in quotations from dead kings. When Maria discovers that Reval plans to immortalize her in a wax-dummy finale—literally embalming her silhouette as the house’s swan-song collection—she begins to dismantle the atelier from within: seams unpicked, mirrors cracked, scandalous whispers seeded to the press. The narrative spirals through opium-laced soirées, nocturnal chases along the Spree, and a catwalk that collapses under the weight of its own nostalgia, culminating in a single spotlight where model and designer face each other, scissors poised like a guillotine, unsure who will be the last fragment of beauty left standing.