
A prince loves a princess, but an evil force also desires her. A fairy queen helps the prince overcome underwater trials to rescue the princess with help from a creation and a goat.

George Hanlon Jr.
United States

The reels of Fantasma arrive like a cracked opal: every glint refracts a different century. Shot on the frayed edge of the Great War, this 1918 curio refuses to behave like a polite folkloric vignette. Instead it vomits up a cyclone of fin-de-siècle anxieties, erotic chiaroscuro and proto-surrealist detritus that feel...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Charles M. Seay

Charles M. Seay
Community
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" The reels of Fantasma arrive like a cracked opal: every glint refracts a different century. Shot on the frayed edge of the Great War, this 1918 curio refuses to behave like a polite folkloric vignette. Instead it vomits up a cyclone of fin-de-siècle anxieties, erotic chiaroscuro and proto-surrealist detritus that feels closer to The Golem’s clay nightmares than to any stencil-drawn bedtime story. Director-scenarist George Hanlon Jr.—previously a circus aerialist and newspaper cartoonist—treats..."

