
A woman determines to clear her imprisoned husband of false charges by entrapping the real culprit herself..

Roi Cooper Megrue, Irvin S. Cobb
United States

The celluloid reels of Fighting Odds—a 1917 curiosity only recently reconstructed from two battered American prints and one Norwegian nitrate—unspool like soot-smeared letters from a forgotten war. There is, at first glance, the familiar silhouette of marital martyrdom: a husband clapped in stripes for embezzlement he...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Allan Dwan

Allan Dwan
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" The celluloid reels of Fighting Odds—a 1917 curiosity only recently reconstructed from two battered American prints and one Norwegian nitrate—unspool like soot-smeared letters from a forgotten war. There is, at first glance, the familiar silhouette of marital martyrdom: a husband clapped in stripes for embezzlement he never birthed, a wife left to sculpt salvation from thin air. Yet director George Benjamin O’Dell, ever allergic to the maudlin, refuses the candle-lit swoon of self-pity. Instead..."


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