A jealous father thinks his son is after Dad's fiancee and kicks the son out. Working in California, he falls for a girl and runs into his new Mamma with another man.


The Subversive Innocence of Harry LangdonTo approach a Mack Sennett production like His New Mamma is to enter a world where the laws of physics are secondary to the laws of the gag. Yet, within this 1924 short, there exists a layer of emotional complexity that often eludes the more frantic comedies of the era. The pres...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Roy Del Ruth

Eduardo Notari
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"The Subversive Innocence of Harry LangdonTo approach a Mack Sennett production like His New Mamma is to enter a world where the laws of physics are secondary to the laws of the gag. Yet, within this 1924 short, there exists a layer of emotional complexity that often eludes the more frantic comedies of the era. The presence of Harry Langdon, a performer whose comedic DNA was spliced with a strange, baby-faced melancholy, elevates the material beyond mere pratfalls. Langdon does not merely perform..."
Jack Wagner, Mack Sennett
United States

