Bobby steals a taxi-bandit's car containing a lot of loot; with both the bandit and the police in pursuit of the stolen car, Bobby has a busy time keeping out of their individual and collective reaches. Later, a pretty girl boards Bobby's taxi as a passenger, and the problem becomes more complicated than ever for him, especially as he is determined to maintain his acquaintanceship with his fair passenger at all costs.
Frank Roland Conklin
United States

body{background-color:#000;color:#fff;font-family:Arial,Helvetica,sans-serif;line-height:1.6;margin:0;padding:20px;}p{margin-bottom:1.2em;}a{color:#EAB308;text-decoration:none;}a:hover{color:#C2410C;} When the reels of Hold Everything begin to spin, the audience is thrust into a bustling metropolis where the streets pu...

still_frame

still_frame


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Scott Sidney

Scott Sidney
Community
Log in to comment.
"body{background-color:#000;color:#fff;font-family:Arial,Helvetica,sans-serif;line-height:1.6;margin:0;padding:20px;}p{margin-bottom:1.2em;}a{color:#EAB308;text-decoration:none;}a:hover{color:#C2410C;} When the reels of Hold Everything begin to spin, the audience is thrust into a bustling metropolis where the streets pulse with the clatter of horse‑drawn cabs and the roar of early motorcars. Bobby Vernon, a lanky figure with a mischievous grin, is introduced not as a hero but as a rogue with a he..."


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Scott Sidney