Summary
Bobby Vernon, a roguishly charming cab driver, commandeers a stolen automobile that once belonged to a notorious taxi‑bandit, discovering that the vehicle is brimming with contraband riches. The heist ignites a relentless pursuit: the irate bandit, his cadre of henchmen, and a determined police squad all converge on the rogue driver, each intent on reclaiming the loot and exacting vengeance. Amid the high‑octane chase, a luminous philanthropist, portrayed by Vera Steadman, slips into Bobby’s back seat, her mission to deliver aid to an Old Ladies’ Home adding a delicate moral counterpoint to the chaos. Bobby, torn between the lure of the stolen bounty and his burgeoning affection for the altruistic passenger, resolves to protect her at any cost. The narrative crescendos when Bobby unleashes the raucous “Aggravating Mamma” on a phonograph, prompting the “flappers of ’61” to whirl and prance like debutantes at a 1923 soirée, sealing the film’s blend of slapstick, romance, and social satire.
Synopsis
Bobby steals a taxi-bandit's car containing a lot of loot; with both the bandit and the police in pursuit of the stolen car, Bobby has a busy time keeping out of their individual and collective reaches. Later, a pretty girl boards Bobby's taxi as a passenger, and the problem becomes more complicated than ever for him, especially as he is determined to maintain his acquaintanceship with his fair passenger at all costs. The girl is a philanthropist bound on an errand of mercy for the Old Ladies' Home. Then Bobby turns loose "Aggravating Mamma" on the talking machine and gets the "flappers of '61" prancing like 1923 debutantes.
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