Summary
Father Norbert Weber's 1925 cinematic endeavor, "In the Land of Morning Calm," transcends mere ethnographic documentation. It presents a meticulously curated visual anthology, born from his profound admiration for Korea during its colonial era. This film, an extension of his earlier written work, serves as both a cultural ambassador and a missionary testament, capturing the intricate tapestry of Korean daily life—from artisanal crafts and agricultural rhythms to vibrant customs, festive celebrations, and deeply rooted religious practices. Simultaneously, it chronicles the impactful presence of St. Benedictine missionaries, particularly their work in Seoul, North Korea, and Manchuria, through the lens of a man who confessed an undeniable affection for the nation he sought to introduce to a German audience.
Synopsis
"In the Land of the Silent Morning" was filmed in 1925 by Father Norbert Weber (1870-1956), abbot of the German Order of St. Benedictine Ottilien, during his second visit to Korea. He made this film to promote Korean culture and Korean missionary work in Germany. The film is based on Father Weber's book "In the Land of the Silent Morning" (1915, Seidel Press), and was shot mainly in Seoul, Mt. Kumgang, Wonsan, and Yanji, and is a video recording of handicrafts, agriculture, craft techniques, customs, holidays, and religious ceremonies to introduce Korean folk culture. It also documents the activities of the St. Benedictine Missionaries in Korea and German missionaries in Seoul, especially in North Korea and Manchuria. Father Weber first introduced Korea to Germany through his book and film, "In the Land of the Silent Morning". Father Weber was an artist, a man of letters, and a humble shepherd. "South Korea, the country I couldn't help but fall in love with so quickly," he confessed.
