A series of newsreel films from Dziga Vertov, Elizaveta Svilova, and Mikhail Kaufman which document Russian Life in the early 1920s..

Soviet Union

The film begins with a date stamp flapping like a heron with a broken wing—21 June 1922—and already the calendar feels obsolete. In the emulsion’s shallow graves, we glimpse a Moscow that smells of wet iron and sour bread. Vertov’s lens does not observe; it pickpockets. A legless veteran slides across the frame on a w...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Dziga Vertov

Eduardo Notari
Community
Log in to comment.
" The film begins with a date stamp flapping like a heron with a broken wing—21 June 1922—and already the calendar feels obsolete. In the emulsion’s shallow graves, we glimpse a Moscow that smells of wet iron and sour bread. Vertov’s lens does not observe; it pickpockets. A legless veteran slides across the frame on a wooden trolley, his palms drumming the cobblestones; the camera tilts down until his face fills the horizon, eyes hammered shut against the glare of a new world that has forgotten t..."


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on Dziga Vertov