A navy lieutenant contemplates suicide in his despair but then meets a beautiful stranger, who turns out to be a princess..
Is this for you? If you like your cinema to feel like a dusty velvet curtain from the 1930s, you’ll probably find something to love here. It’s a bit of a slow burn, honestly. If you need pacing that moves faster than a polite stroll through a garden, you’re going to hate it. It’s perfect for people who enjoy watching o...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Fritz Wendhausen
Vernon Stallings
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"Is this for you? If you like your cinema to feel like a dusty velvet curtain from the 1930s, you’ll probably find something to love here. It’s a bit of a slow burn, honestly. If you need pacing that moves faster than a polite stroll through a garden, you’re going to hate it. It’s perfect for people who enjoy watching old-fashioned, slightly stiff acting where everyone stands perfectly still while delivering lines like they’re reading them off a cue card held by a ghost. The whole premise starts..."
Albert Paulig
Ernst Neubach, Hans Wilhelm, Harry Kahn, Alfred Machard, Marcel L'Herbier
France
