Summary
Set against the opulent yet spiritually hollow backdrop of the French Riviera, Le double amour charts the tragic trajectory of Laure Maresco, a woman of impeccable social standing whose life becomes a sacrificial offering to the altar of masculine vice. The narrative unfolds with the precision of a Greek tragedy, centered on Laure’s enduring devotion to Jacques Decourt, a man whose charisma is eclipsed only by his pathological obsession with gambling. When Jacques’s debts precipitate a social cataclysm, Laure bears the burden of his disgrace, only to find the cycle of ruin repeating decades later through her son. Jean Epstein, collaborating with his sister Marie, crafts a scathing indictment of the bourgeois apparatus, where honor is a currency traded at the baccarat table and maternal love is weaponized by the very men it seeks to redeem. The film serves as a luminous showcase for Nathalia Lissenko, whose face becomes a canvas for the agony of the Russian émigré experience, filtered through the avant-garde lens of the Albatros studio.
Synopsis
A vehicle for Russian émigré company Albatros's big star Nathalia Lissenko: the lover and the son of a society woman are both chronic gamblers in this critique of wealth and bourgeois hypocrisy.
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