
Having lost all his funds betting on the races in London, John Peters contemplates suicide; then, overhearing the conversation of two men, he considers a new course of action. He stuns one of them--Kluck--and after changing clothes with him, he makes his way to the United States, where he wins at the races, speculates successfully on Wall Street, and amasses a fortune under the sobriquet "Lucky" Carson.

There is a moment, early in Lucky Carson, when the camera merely breathes on Collette Forbes’s face as London dawn leaks through the Thames mist. No intertitle intrudes; the silence swells until you hear your own pulse. In that hush the film announces its creed: identity is currency, luck is counterfeit, and redempti...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Wilfrid North

Wilfrid North
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" There is a moment, early in Lucky Carson, when the camera merely breathes on Collette Forbes’s face as London dawn leaks through the Thames mist. No intertitle intrudes; the silence swells until you hear your own pulse. In that hush the film announces its creed: identity is currency, luck is counterfeit, and redemption is a confidence trick you play on yourself. Most silents about reinvention (His Majesty, the American) chase slapstick momentum; Aquila Kempster’s screenplay chooses a slower m..."
James Butler
Aquila Kempster, Bradley J. Smollen
United States

