Disguised as a priest, an escaped convict makes his way to Texas. He ends up in a small rural town where the townsfolk mistake him for their new church minister.
\nA Rogue in the Pulpit: The Pilgrim Unveiled\nWhen Charles Chaplin turned his prodigious comedic instincts toward the western frontier, the result was a paradoxical blend of slapstick and solemnity. The Pilgrim (1915) follows an escaped convict who, by sheer happenstance, dons a priest’s cassock and wanders into a par...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Charles Chaplin
Lloyd Ingraham
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"\nA Rogue in the Pulpit: The Pilgrim Unveiled\nWhen Charles Chaplin turned his prodigious comedic instincts toward the western frontier, the result was a paradoxical blend of slapstick and solemnity. The Pilgrim (1915) follows an escaped convict who, by sheer happenstance, dons a priest’s cassock and wanders into a parched Texas hamlet. The townspeople, starved for spiritual guidance after a long drought of clergy, receive him as a divine providence. Chaplin’s narrative architecture is deceptive..."
Charles Chaplin
United States
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