Summary
Set against the backdrop of a glittering, albeit socially rigid, Parisian fashion house, Mademoiselle Modiste follows the ascent of Fifi, a spirited shopgirl with a voice that demands a larger stage. Produced by and starring the ethereal Corinne Griffith, the film adapts Victor Herbert’s legendary 1905 operetta into a silent spectacle of class aspiration and romantic defiance. Fifi finds herself ensnared in a complex web of affection when she falls for a high-born officer, Etienne, whose family views a 'modiste' as little more than a fleeting distraction. The narrative pivots on the tension between Fifi’s professional ambitions under the watchful eye of Madame Cecile and the restrictive expectations of the French aristocracy. It is a story of transformation, where the protagonist must navigate the predatory nature of the wealthy and the grueling demands of the garment industry to find a semblance of autonomy. While the film mirrors the thematic beats of contemporary hits like The Merry Widow, it distinguishes itself through Griffith’s unique blend of poise and vulnerability, painting a portrait of a woman who refuses to be merely a mannequin for other people's desires.
Synopsis
Mademoiselle Modiste is a 1926 silent romance produced by and starring Corinne Griffith and distributed by First National Pictures. Robert Z. Leonard directed Griffith in a story based on a popular 1905 Victor Herbert operetta on Broadway, Mlle. Modiste, with a libretto by Henry Martyn Blossom, which was similar to the MGM film The Merry Widow. The film is now considered a lost film. The story was refilmed in 1930 as the talkie Kiss Me Again.