
Alright, so if you’re looking for a Friday night popcorn flick, Madonna of the Streets (1930) probably isn’t it. This one is really for the folks who love digging into early talkies, the kind of films where you can almost feel the medium figuring itself out. If you’re not into that, you’ll likely find it pretty slow. B...

still_frame

production_art

production_art

production_art

still_frame

production_art

production_art

production_art


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John S. Robertson

John S. Robertson
Community
Log in to comment.
"Alright, so if you’re looking for a Friday night popcorn flick, Madonna of the Streets (1930) probably isn’t it. This one is really for the folks who love digging into early talkies, the kind of films where you can almost feel the medium figuring itself out. If you’re not into that, you’ll likely find it pretty slow. But if you’re curious about how movies changed from silent to sound, this is a neat little time capsule. The film centers on Mary, played by Evelyn Brent, who's got a rough go of i..."
William Babington Maxwell, Jo Swerling
United States


Deep dive into the cult classic
Discover similar cinematic experiences
A Directorial Spotlight on John S. Robertson