Director Rosé and his opera company travel to Monte Carlo where they expect an engagément to perform at the opera house. During the boat trip Mario, the cheerful tenor, meets a girl hidden in his cabin.
Is it worth it? If you like old black-and-white musicals that don't take themselves too seriously, sure. It’s light, it’s fluffy, and it moves fast enough that you won't get bored. If you need a gritty plot or something that makes you think, steer clear. This is pure 1930s comfort food. The whole thing kicks off on a ...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Carmine Gallone
Manuel Noriega
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"Is it worth it? If you like old black-and-white musicals that don't take themselves too seriously, sure. It’s light, it’s fluffy, and it moves fast enough that you won't get bored. If you need a gritty plot or something that makes you think, steer clear. This is pure 1930s comfort food. The whole thing kicks off on a boat. Mario, the tenor, finds a stowaway in his cabin, which is a classic trope that somehow never gets old. Danielle Darrieux as Nicole? She’s got this sparkle that basically carr..."
Ernst Marischka, Emeric Pressburger
France
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