An actor, Julian Lorraine (J. Frank Glendon), mistakenly believes his wife Viola Lorraine (Alice Day) has been unfaithful.


The first time I projected More to Be Pitied Than Scorned on my living-room wall—16-millimeter grain dancing like candle soot—I understood why the word melodrama once carried the weight of cathedral bells. Charles E. Blaney’s scenario is a razor-blade valentine slipped inside a silk glove: it cuts long after the embr...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edward LeSaint

Edward LeSaint
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" The first time I projected More to Be Pitied Than Scorned on my living-room wall—16-millimeter grain dancing like candle soot—I understood why the word melodrama once carried the weight of cathedral bells. Charles E. Blaney’s scenario is a razor-blade valentine slipped inside a silk glove: it cuts long after the embrace ends. The Plot as Palimpsest Julian Lorraine’s jealousy is not born in a vacuum; it gestates within the footlights’ sulfurous glow. He is a man who earns his living by counte..."
Charles E. Blaney
United States


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