
In the depression era unemployed Susanne tries to break into movies by working as an extra. She is ‚hired' to be kidnapped in a PR stunt that is supposed to hush over a suicide scandal.

Is it worth your time? If you've got a soft spot for weird, forgotten relics from the 1930s, then yeah, you’ll probably find something to love here. It’s not for everyone, especially if you need your pacing to be snappy or your stories to feel modern. If you want something that smells like old celluloid and feels a lit...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Arzén von Cserépy

Arzén von Cserépy
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"Is it worth your time? If you've got a soft spot for weird, forgotten relics from the 1930s, then yeah, you’ll probably find something to love here. It’s not for everyone, especially if you need your pacing to be snappy or your stories to feel modern. If you want something that smells like old celluloid and feels a little bit dusty, pull up a chair. Susanne is just trying to get by, and watching her get tossed around by a studio publicity stunt is both funny and kind of depressing. It’s got tha..."

Hilde Krüger
Georg Mühlen-Schulte, Hans Hömberg, Peter Hagen, Gerd Tolzien
Germany


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