While Eddie's wife is away a party of girls, with their matron from a nearby seminary, become stalled in an automobile. They invade the premises and make themselves at home.

A froth of lace curtains, a haze of cigar smoke, and the syncopated clatter of a Model T axle snapping—thus begins the celluloid carnival that is Queens Up!, a 1928 one-reel rocket that feels like someone slipped bootleg gin into the communion chalice. The film’s engine is misdirection: Eddie (Carl Hanson) believes ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Fred C. Newmeyer

Henry Edwards
Community
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" A froth of lace curtains, a haze of cigar smoke, and the syncopated clatter of a Model T axle snapping—thus begins the celluloid carnival that is Queens Up!, a 1928 one-reel rocket that feels like someone slipped bootleg gin into the communion chalice. The film’s engine is misdirection: Eddie (Carl Hanson) believes domestic order is tethered to his wife’s absence; the seminary matron believes decorum can survive a flat tire; the Vanity Fair Girls believe every parlor is a cabaret. Their colle..."
Dorothy Hagan
United States

