Rupert of Hentzau
Summary
A velvet-gloved dagger of a film, Rupert of Hentzau glides across the Ruritanian chessboard like mercury, its monarch assassinated by a mirrored English cousin who, in assuming the fallen crown, absorbs both bullet and burden of identity. The narrative pirouettes through torch-lit corridors where chandeliers tremble above conspirators, the slain king’s blood a crimson signature on marble, while the doppelgänger—face shaved to the same royal angles—slips into the throne’s shadow only to discover that sovereignty is a costume stitched with gunpowder. Each frame crackles with fin-de-siècle dread: a ballroom waltz that mutates into a death-march, a balcony kiss exchanged for a sniper’s bead, a coronation robe that drinks the usurper’s blood like sacramental wine. Hope and Rowden’s scenario distills absinthe-laced ironies: the double dies precisely because he imitates authenticity too well, the assassin triumphs because he loves the king he kills, and the kingdom survives by forgetting both men.
Synopsis
When the king is killed by his rival, his English double takes his place and is shot.
Director
Douglas Munro, George Bellamy, Gerald Ames, Jeff Barlow, Stella St. Audrie, Charles Rock, Eva Westlake, Henry Ainley, Jane Gail, Wellington Briggs
Anthony Hope, W. Courtney Rowden
