Hubby has never met his mother-in-law and dreads her arrival. A female thief beats her to his home, and as she is good-looking and agreeable, Hubby is pleasantly surprised and begins to entertain her before Wifey appears; by the time she and her mother appear on the scene, the entertainment is a cabaret show.


The first miracle of Scrappily Married is tonal: it arrives as a brittle marital farce and departs as a jazz-age fugue on identity, a twenty-minute sleight-of-hand that makes the bourgeois parlour feel like a speakeasy where every lamp casts two shadows. Viewed today, the film crackles like a carbon arc—sharp, brief,...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Al Christie

Al Christie
Community
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" The first miracle of Scrappily Married is tonal: it arrives as a brittle marital farce and departs as a jazz-age fugue on identity, a twenty-minute sleight-of-hand that makes the bourgeois parlour feel like a speakeasy where every lamp casts two shadows. Viewed today, the film crackles like a carbon arc—sharp, brief, incandescent—leaving scorch-marks on the retina of anyone who assumes silent comedy peaked with Keaton’s stone-face or Lloyd’s skyscraper dangle. Harry Gribbon, pulling double du..."
Lois Leslie
Harry Gribbon
United States

