Summary
A timid suburban spouse, whose dread of his unseen mother-in-law calcifies into neurotic pantomime, unlocks his front door to destiny: not the dragon he fears but a velvet-gloved cat-burglar—silk-hosed, quick-witted, radiating speakeasy mischief—slips inside first. Mistaking the intruder for the maternal apocalypse, the husband swallows his terror, discovers a dazzling woman who smells of cigarette jazz and violet dusting powder, and—half-hypnotized, half-relieved—sets about hosting her as though she were a long-lost aunt with a taste for champagne and Charleston. By the time his actual wife barrels in with the authentic matriarch, living-room cushions have been flung into a makeshift cabaret set, a ukulele has materialized, and the guest is mid-chorus, draped in the husband’s borrowed tuxedo jacket like a diva on opening night. The ensuing fracas ricochets from slapstick to operetta: accusations pirouette, alliances flip, and the once-tremorous hubby—now drunk on improvisation—spins a web of half-truths so baroque that the mother-in-law, branded accidental co-conspirator in a crime she never committed, is banished by her own outraged daughter. Curtain falls on a marriage intact but singed, a thief richer in pearls and anecdotes, and a husband who has learned that terror, properly choreographed, can outdazzle any vaudeville spotlight.
Synopsis
Hubby has never met his mother-in-law and dreads her arrival. A female thief beats her to his home, and as she is good-looking and agreeable, Hubby is pleasantly surprised and begins to entertain her before Wifey appears; by the time she and her mother appear on the scene, the entertainment is a cabaret show. Explanations follow, and hubby's cleverness secures mother-in- law's banishment from his home.
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