Summary
Louis Feuillade’s 1914 adaptation of François Coppée's verse drama plunges the viewer into the simmering cauldron of 15th-century Pisa, where political insurrection and familial tragedy collide with devastating precision. Severo Torelli, portrayed with a brooding intensity by Fernand Herrmann, is a young nobleman consumed by a singular, patriotic fervor: the liberation of his city from the iron-fisted hegemony of the tyrant Gian della Bella. As the conspiratorial gears of the resistance begin to turn, Severo’s resolve is tested not by the steel of his enemies, but by the shattering revelations of his own mother, Donna Pia. In a moment of agonizing melodrama, she confesses that Severo is the biological progeny of the very despot he has sworn to assassinate. This Oedipal entanglement transforms a standard tale of revolution into a profound meditation on the inescapable chains of blood and the crushing weight of ancestral sin. The narrative architecture is built upon this central irony, forcing Severo to navigate a labyrinth of moral ambiguity where the act of regicide becomes a form of parricide, and the dream of liberty is poisoned by the reality of his own genesis.
