
After a spectacular college football career, John Harkless leaves the university to pursue a place in Indiana politics. He buys the failing Plattville Herald and, using the newspaper to expose various illegal activities, sets out to rid the county of all mobsters and corrupt officials.

Booth Tarkington, Frank Lloyd, Julia Crawford Ivers
United States

Ink, blood, and ballot boxes. In the sepia churn of 1915, while Europe mined its own marrow, American cinema still nursed on morality plays and bucolic piety. Into that pasture ambles The Gentleman from Indiana, a film whose very title feels like a brass-knuckled handshake. The picture’s DNA splices Booth Tarkington’s...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Frank Lloyd

Frank Lloyd
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" Ink, blood, and ballot boxes. In the sepia churn of 1915, while Europe mined its own marrow, American cinema still nursed on morality plays and bucolic piety. Into that pasture ambles The Gentleman from Indiana, a film whose very title feels like a brass-knuckled handshake. The picture’s DNA splices Booth Tarkington’s Hoosier humanism with the adrenalized syntax of early feature-length melodrama, yielding a curio that is at once stump-speech sermon, crime exposé, and valentine to the fourth est..."


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