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The Girl with the Hat Box (1927): The Comedy Cult Classic You Need to See · IMDb 7.1 | Dbcult

The Girl with the Hat Box

Name: The Girl with the Hat Box
Director: Boris Barnet
Released: 1927
Rating: 7.1
Cast: Vladimir Popov, Pavel Pol, Yeva Milyutina, Vladimir Mikhaylov, Serafima Birman

1927Boris BarnetIMDb: 7.1/10

Synopsis

Director

Boris Barnet

Cast

Ivan Koval-Samborsky

Serafima Birman

Pavel Pol

Editor's Choice Analysis

The Girl with the Hat Box Review: Why This 1927 Soviet Comedy Still Hits

Is The Girl with the Hat Box just another dusty relic of Soviet propaganda? Short answer: No, it is a surprisingly sharp romantic comedy that feels more like a Parisian farce than a Bolshevik lecture.This film is for anyone who appreciates the physical wit of Buster Keaton but wants a side of biting social commentary. ...

Archivist John

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Filmography

Movies by Boris Barnet

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The Adventures of the Three Reporters

1926 · IMDb 7

Moskva v oktyabre

1927 · IMDb 5.9

The Thaw

1931 · IMDb 6.7

Dom na Trubnoy

1928 · IMDb 7.2

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Intelligence Comparison

Comparing the cinematic DNA and archive impact of two defining moments in cult history.

1927

The Girl with the Hat Box

Boris Barnet

ScoreCult MeterScore

71%Popularity50%

#280Archive Rank#483

1920

The Jackeroo of Coolabong

Wilfred Lucas

Analyze Head-to-Head

Knowledge Base

The Girl with the Hat Box FAQ

The movie The Girl with the Hat Box was directed by Boris Barnet.

The Girl with the Hat Box was released in the year 1927.

The Girl with the Hat Box has an IMDb rating of 7.1 out of 10.

The Girl with the Hat Box is a movie from Soviet Union.

The Girl with the Hat Box is categorised as Comedy, Drama, Romance in the cult cinema archive at Dbcult.

The Girl with the Hat Box features Ivan Koval-Samborsky, Serafima Birman, Pavel Pol, Anna Sten.

The screenplay for The Girl with the Hat Box was written by Vadim Shershenevich, Valentin Turkin.

If you enjoy The Girl with the Hat Box, you might also like The Jackeroo of Coolabong (1920), Lunatics in Politics (1920), Striking Models (1920), The Night Riders (1920).

Yes, The Girl with the Hat Box (1927) is featured in the Dbcult archive as a curated cult cinema title, known for its Comedy and Drama qualities.

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Summary

Set against the backdrop of the Soviet Union's New Economic Policy era, the story follows Natasha, a rural girl who travels to Moscow to deliver handcrafted hats for a bourgeois milliner, Madame Irène. To navigate the city's suffocating housing crisis, Natasha enters into a marriage of convenience with Ilya, a bumbling student she finds sleeping in a train station. This sham union allows them to exploit a legal loophole involving a room 'rented' by Madame Irène's husband to dodge housing committees. The plot takes a sharp turn when Natasha is paid with a seemingly worthless lottery ticket that unexpectedly wins the jackpot. What began as a logistical arrangement evolves into a genuine romance, challenged by the greed of the urban elite and the absurdities of Soviet bureaucracy.

Synopsis

Natasha and her grandfather live in a cottage near Moscow, making hats for Madame Irène. Madame and her husband have told the housing committee that Natasha rents a room from them; this fiddle gives Madame's lazy husband a room for lounging. The local railroad clerk, Fogelev, loves Natasha but she takes a shine to Ilya, a clumsy student who sleeps in the train station. To help Ilya, Natasha marries him and takes him to Madame's to live in the room the house committee thinks is hers. Meanwhile, Madame's husband pays Natasha with a lottery ticket he thinks is a loser, and when it comes up big, just as Ilya and Natasha are falling in love, everything gets complicated

Review Excerpt

"Is The Girl with the Hat Box just another dusty relic of Soviet propaganda? Short answer: No, it is a surprisingly sharp romantic comedy that feels more like a Parisian farce than a Bolshevik lecture.This film is for anyone who appreciates the physical wit of Buster Keaton but wants a side of biting social commentary. It is definitely not for those who demand high-octane action or can't tolerate the rhythmic pacing of silent-era storytelling.The Direct Verdict1) This film works because: Anna Ste..."

Archivist John

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