
Reever McCall, an infamous forger, is on the run from the police with his daughter Saidee. He asks his friend, a former criminal named Steve Cline, for help.


body{background:#000;color:#fff;font-family:Arial,Helvetica,sans-serif;line-height:1.6;}a{color:#EAB308;text-decoration:none;}a:hover{color:#C2410C;}span.orange{color:#C2410C;}span.yellow{color:#EAB308;}span.blue{color:#0E7490;} When the silent era of cinema first unfurled its tapestry of intrigue, The Last Hour arrive...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edward Sloman

Edward Sloman
Community
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"body{background:#000;color:#fff;font-family:Arial,Helvetica,sans-serif;line-height:1.6;}a{color:#EAB308;text-decoration:none;}a:hover{color:#C2410C;}span.orange{color:#C2410C;}span.yellow{color:#EAB308;}span.blue{color:#0E7490;} When the silent era of cinema first unfurled its tapestry of intrigue, The Last Hour arrived as a brooding meditation on identity, power, and the inexorable pull of the past. The film opens with Reever McCall, a master forger whose reputation straddles the line between l..."
Hylda Hollis, Frank R. Adams
United States

