
In a prologue, the evolution of banditry from the road agent to the modern automobile bandit is depicted. In the main story, Marian Calvert, traveling along the California coast with her uncle and his family to a weekend party, becomes infatuated with the infamous Lincoln Highwayman when he robs them of their jewelry and leaves in his high powered auto.

Jules Furthman, Paul Dickey, Emmett J. Flynn
United States

body{background:#000;color:#fff;font-family:Arial,Helvetica,sans-serif;line-height:1.6;margin:0;padding:20px;}p{margin-bottom:1.2em;} .orange{color:#C2410C;} .yellow{color:#EAB308;} .blue{color:#0E7490;} When the reels of The Lincoln Highwayman begin to spin, the audience is greeted not merely by a plot but by a visual...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Emmett J. Flynn

Emmett J. Flynn
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"body{background:#000;color:#fff;font-family:Arial,Helvetica,sans-serif;line-height:1.6;margin:0;padding:20px;}p{margin-bottom:1.2em;} .orange{color:#C2410C;} .yellow{color:#EAB308;} .blue{color:#0E7490;} When the reels of The Lincoln Highwayman begin to spin, the audience is greeted not merely by a plot but by a visual essay on the evolution of criminality, a prologue that sketches the transition from dusty horse‑drawn road agents to the sleek, gasoline‑powered desperados of the 1920s. This open..."


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