
While living in Shanghai with his young son David, William Fielding is close friends with his secretary, Li Clung, after the death of his wife. Foo Chang, a trader, loves the young woman who cares for young David and kills Fielding when he assumes that she is the boy's mother.


Imagine a film that arrives like a lacquered puzzle-box from a vanished empire, its hinges rusted with secrets. Shame—no mere indictment of moral lapse—unfurls as a palimpsest of turn-of-century anxieties: the porous borders of race, the narcotic allure of the Orient, the terror of bloodlines diluted. Emmett J. Flynn ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Emmett J. Flynn

Emmett J. Flynn
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" Imagine a film that arrives like a lacquered puzzle-box from a vanished empire, its hinges rusted with secrets. Shame—no mere indictment of moral lapse—unfurls as a palimpsest of turn-of-century anxieties: the porous borders of race, the narcotic allure of the Orient, the terror of bloodlines diluted. Emmett J. Flynn orchestrates this fever dream with a visual grammar borrowed from German expressionism: slanted rooftops slice the frame, fog devours cobblestones, and every shard of light seems t..."
Rosemary Theby
Bernard McConville, Max Brand, Emmett J. Flynn
United States

