
A girl needs to marry by a year to get her aunt's money but her fiancé has left. After getting permission from her godfather for a "white wedding," she realizes she loves the godfather instead.

Paul Gavault, Michael Morton, Harry R. Durant
United States

Fortune is a fickle dowager; she hands you emeralds with one palm and slips a noose of obligation into the other. Shot in the bruised twilight of 1917, The Richest Girl arrives like a monogrammed handkerchief dabbed at the lip of a society already hemorrhaging from war and influenza. Director Paul Gavault, together wi...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Albert Capellani

Albert Capellani
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" Fortune is a fickle dowager; she hands you emeralds with one palm and slips a noose of obligation into the other. Shot in the bruised twilight of 1917, The Richest Girl arrives like a monogrammed handkerchief dabbed at the lip of a society already hemorrhaging from war and influenza. Director Paul Gavault, together with scenarists Michael Morton and Harry R. Durant, distills the acrid perfume of Edith Wharton’s world into a brisk five-reel fever dream. The result is an artifact that feels less ..."


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