
The Ventures of Marguerite
Summary
A gilded storm in silk and sequins, Marguerite’s odyssey begins inside a chandeliered ballroom where chandeliers drip like frozen champagne and gossip flutters like moth-wings; she pirouettes through perfumed corridors while clutching an empire of inherited dividends, yet every rustle of her organza hem summons another creditor-masked predator. From the marble porticoes of Newport to the gas-lit alleys of Montmartre, her satin slippers traverse cobblestones slick with rain and blackmail ink; a monocled count slashes her train with a cane-sword, a Chicago plug-ugly slips a brass knuckle into her reticule, a Parisian modiste counts pearls like rosary beads of debt. The reels unspool like mercury: a midnight express where her coupe blossoms with orchids and revolvers; a Riviera casino where roulette balls clatter like guilty coins; a moonlit barge on the Seine where she trades a tiara for a fisherman’s coat and becomes, for one fugitive hour, no one at all. Through each tableau, Marguerite’s smile is a kerosene lamp—flickering, dangerous, impossible to snuff—until the final iris-in finds her on a fog-lashed pier, pockets empty of everything except a single jet button, staring at a horizon that might be freedom or merely another velvet trap.
Synopsis
As heiress to a large fortune, Marguerite is able to satisfy her love for beautiful clothes and a taste for adventure, while confronted by a multitude of schemers and gangsters bent on reducing her to poverty.
Director

Marguerite Courtot, Harry Edwards, Richard Purdon, Paula Sherman, Phil Hardy, Edward Roseman, R.A. Bennett, F.B. Vernoy, Forrest Cummings, Walter McEwen, Freeman Barnes, Edwin Brandt, Frank Holland, Henry A. Barrows, Eleanor Lewis, Anna Reader, Hassan Mussalli, Robert Vaughn, Stella Jenno, Otto Niemeyer, Roland Bottomley, Joseph Sullivan, Bradley Barker, William Sherwood, Julia Hurley, A. Lever, Lois Howell, Helen Lindroth















