Summary
Art Flanders is a man defined by sudden, violent impulses. After a brutal altercation with his railroad foreman leaves the man severely injured, Flanders retreats into the unforgiving expanse of the American desert, seeking a solitude that is quickly interrupted. He doesn't find human solace first; instead, he forms an unlikely survival pact with Rex, a dog as wild as the landscape, and Black Beauty, a horse fleeing its own set of shackles. This trinity of outcasts wanders the arid wastes until they stumble upon a life-giving stream owned by Lorraine Estes. Lorraine is a woman standing her ground against the predatory Jed Hawkins, a man determined to jump her mining claim through any means necessary. Flanders, trading his fugitive status for the role of a protector, provides the muscle required to formalize Lorraine's claim. When Hawkins resorts to high explosives to settle the score, it is the combined intuition of man, dog, and horse that turns the tide. The film concludes not just with a victory over a land-grabber, but with a radical shift into domesticity: a year later, the desert wanderer is a father, the dog is a patriarch of puppies, and the wild horse is reduced to the quiet indignity of flirting with a wooden toy.
Synopsis
After severely injuring his foreman in a fight, railroad worker Art Flanders flees to the desert, where he finds companionship with a dog named Rex, and later, with Black Beauty, a runaway horse. In their search for water, the three come upon a stream on the property of Lorraine Estes, owner of a mine claim that Jed Hawkins plans to usurp. While Art does the manual labor necessary to register the claim, Jed sends several of his men to dynamite the mine. They are thwarted by Art and Black Beauty, who also bring Jed to justice. One year later, Art and Lorraine are married with a baby, and Rex is father to a litter of puppies. Black Beauty is relegated to flirting with a hobby horse.
