An investigator looks into the activities of a movie producer he believes is involved in smuggling Asians into the U.S.
Is it worth the watch? If you like movies that smell like old film canisters and budget constraints, sure. If you need tight, modern pacing or a script that doesn’t feel like it was held together by glue and hope, skip it. It’s a weird artifact from 1936 that feels older than it actually is. The whole thing revolves a...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Crane Wilbur
Crane Wilbur
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"Is it worth the watch? If you like movies that smell like old film canisters and budget constraints, sure. If you need tight, modern pacing or a script that doesn’t feel like it was held together by glue and hope, skip it. It’s a weird artifact from 1936 that feels older than it actually is. The whole thing revolves around John Ivans playing an investigator who’s convinced a big-shot movie producer is smuggling folks across the border. It’s got that classic 'hey, let’s make a movie in a week' e..."
Crane Wilbur
United States
