Summary
In the vibrant, socially reconfiguring landscape of the NEP years, Zhena plunges into the domestic and ideological fractures of a burgeoning Soviet society. We are introduced to Glazkov, an assistant director at a textile factory, whose public persona as a fervent advocate for women's emancipation stands in stark contrast to his private indulgences. His rhetoric soon crumbles under the weight of a passionate, illicit affair with Tamara Bakhmetyeva, a captivating pop dancer. This betrayal ignites a complex chain of events, prompting his wife, Varvara, to seek a form of personal justice by subtly engaging with Anton, Glazkov's colleague and factory committee chairman. However, Varvara’s journey transcends mere marital reprisal. Through these interconnected betrayals, she confronts the profound hypocrisy embedded within the revolutionary ideals espoused by the men around her. Disillusioned by their moral failings, Varvara enacts her true emancipation, severing ties with her husband and, with her children, forging a new, independent life rooted in the purposeful labor of the textile factory itself.
Synopsis
The NEP years. Glazkov, assistant director of a textile factory, a loudmouth and lover of rallies to emancipate Soviet women, meets pop dancer Tamara Bakhmetyeva. An ordinary acquaintance turns into a whirlwind romance. Meanwhile, the jealous wife decides to take revenge on her husband and begins to show attention to her husband's friend, the chairman of the factory committee, Anton. Convinced of the baseness of both men, Varvara, along with her children, leaves her husband and goes to work at a textile factory.
