5.2/10
Senior Film Conservator

A definitive 5.2/10 rating for a film that redefined the boundaries of cult cinema. Buddy's Adventures remains a cornerstone of transgressive art.
Honestly, you probably know if you’re the type to dig Buddy’s Adventures within the first five minutes. If you have a soft spot for old-school, slightly eerie animation, you’ll find some stuff to like. If you hate anything that feels like a fever dream from the mid-twentieth century, just walk away now. This isn't exactly high art, but it’s got a weird energy.
The premise is simple enough—maybe too simple. Buddy and Cookie crash their balloon and land in a town that makes The Typhoon look like a comedy special. Everyone in Sourtown is perpetually cranky because they eat nothing but sour trash and the King has a personal vendetta against joy. Specifically, he hates jazz. I mean, who hates jazz? It’s a bold villain choice, I’ll give them that.
Buddy is our hero, or at least he’s the guy pushing the plot forward. He decides the best way to deal with a totalitarian regime is to just start playing music. It’s hilariously naive. He’s essentially trying to solve a systemic political crisis with a saxophone, and for some reason, it almost works.
There is this one scene where the guardsmen show up and they are just the worst. They look like they haven’t slept since the invention of the wheel. The animation in these moments feels a bit jittery, like the frames were drawn by someone who had too much coffee and not enough time. Honestly, it adds to the charm.
It’s not as polished as some of the other stuff from the era, like Rennsymphonie, but it’s got way more personality. You can tell the animators were struggling with the budget, especially when the background characters just stand there like cardboard cutouts. But then, suddenly, there’s a fluid movement that totally catches you off guard.
It’s a weird, lopsided little movie. It’s not trying to change your life or win an award. It just wants to play some tunes and make the grumpy king sweat a little. Sometimes, that is exactly enough. 🎷

IMDb —
1921
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