7.2/10
Senior Film Conservator

A definitive 7.2/10 rating for a film that redefined the boundaries of cult cinema. Money Machine remains a cornerstone of transgressive art.
You should probably watch this if you have five minutes and want to feel like your brain is being put through a blender. It’s perfect for people who like experimental stuff or just want to see how directors used to show 'chaos' before they had CGI. If you need a plot or characters you can actually care about, you are going to hate this. There is no story. Just stuff moving very fast.
I found myself blinking way more than usual while watching this. Slavko Vorkapich is the guy behind this, and if you know old movies, you know he was the 'montage king.' He usually did the weird little sequences in big Hollywood films where time passes or someone goes crazy. Here, he’s just doing his own thing without a boss telling him to calm down.
The whole thing is just a blur of money. Coins spinning. Gears turning. It feels like the movie is trying to give you a heart attack on purpose. I noticed one shot where a man’s face is layered over a machine and he looks absolutely terrified. Or maybe he’s just really into the money? It’s hard to tell because the shot lasts about half a second.
It reminds me a little bit of the mechanical energy in The Block Signal, but way more frantic. In that movie, the machines felt like they had a point. Here, the machine just exists to spit out coins and make people look insane. I kept thinking about how much work it must have been to cut all these tiny pieces of film together by hand. No computers, just scissors and tape.
There is a specific moment where the coins start falling like rain. It’s actually kind of pretty, in a gross way. It makes you realize how much Vorkapich loved movement for the sake of movement. He didn't care if you understood the 'why.' He just wanted you to feel the 'vroom.'
I’ve seen some other stuff from this era lately, like The Mints of Hell, which deals with similar 'money is bad' vibes. But that one feels like a traditional movie. This? This is like a music video for a song that hasn't been written yet. A very loud, clanky song.
One thing that bugged me was how repetitive it gets around the three-minute mark. Like, okay, I get it. The machine is fast. The people are greedy. The coins are round. Sometimes it feels like he’s just showing off how many cuts he can fit into a single minute. It’s impressive, but also a little exhausting to look at directly.
It’s weirdly similar to the intensity you see in The Raven, even though that’s a completely different kind of movie. There’s just this heavy atmosphere that something is about to break. You keep waiting for the machine to explode or the guy to scream, but it just keeps spinning.
Even if you don't like 'art' films, this is cool because it’s so short. You can’t really complain about a movie being too long when it’s over before your toast is done. It’s a pure shot of 1920s energy. It’s messy and the film grain is everywhere, but that makes it feel more real, I think.
I wonder if Vorkapich was fun at parties. He probably spent the whole time looking at how the ice cubes moved in people's drinks. You can see that obsession here. Every gear tooth and every shining nickel is filmed like it's the most important thing in the world. It’s a bit much, honestly. 😅
If you’ve been watching a lot of slower stuff like The Prince of Headwaiters, this will wake you up. It’s like a cold splash of water to the face. Not necessarily pleasant, but definitely effective.
I noticed at the end I was holding my breath. The editing gets faster and faster until it just... stops. No real ending. Just black. It’s kind of a letdown but also the only way it could have ended without someone actually dying on screen. It’s a weird little relic. I’m glad it exists, even if I don’t want to watch it twice in a row.
Anyway, go watch it if you want to see coins look scary. It’s on the internet in various places. Just don't expect a happy ending or, you know, an ending at all. It’s just pure cinema, whatever that means today.

IMDb —
1918
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